________________
SEPTEMBER, 1894.] THE BHASHA-BHUSHANA OF JAS'WANT SINGH.
227
(3) Sámányá (or Sadharana). Anybody's. (She sells hier) love for money to the first comer.) [She is, however, capable of disinterested attachment.)
Text.
Mugelhadi tini avasthú ké bheila. Binu jánai* ajñata hai
jáné yauvana-jñata | Mugdha ke vai bheila kavi
ihi vidhi varanata játa 11 11 11 (Já kau chita rati ko darai
kahiya navodha SỔi | Néku hić ruti mana jó
visrabdha taha hôi ll lla 11 ] Madhya 80 já mé dlou
lajja madana samána! Ati pravima praudha wahai
já lau piya me dhyana 11 12 il
Translation. The Three-fold Classification of Heroines based on Maturity. [Sahitya-darpana, 98-101, where they are considered as sub-divisions of the heroine who is 9cakiya, 'one's own' (v. 10).]
(1) Mugdha, the Artless, or Youthful. She is of two kinds, either (a) ajñatayauvana or (6) jñatayauvana, according as she is not or is conscious of the first arrival of the period of adolescence. [Another sub-division is (c) navódha, the Bride, who fears the marriage couch, of which a further sub-division is the visrabdha-navodhi, the Bride without fear, who in her heart looks forward to the same. These are mentioned in the Bhishana-kuumuuli, but not in the Bháshá-bhúshana.]
(2) Madhyd, the Adolescent. (She struggles between) an equal amount of modesty and of passion.
(3) Praudhá Cor Pragalbha], the Mature. She is very skilled in the arts of love, and all her thoughts are bound up with her beloved.
Text.
Parakiya-bheda-lakshana. Kriya vachana sở cháturi
yahai vidagdha riti ! Bahuta duráé-hi sakhi
lakhai lakshita priti 11 13 11 Gupta rati gôpita karai
tripti no kulata dhil Nischaya júnati piya-milana
mudita kahiyai tahi 11 14 11 Vinasyau thaura sahéta kau
4gb hối 12 hối | Jái na sakai sahéta me
anabayana sôi || 15 || [Nilipiya só ékánta lwai
nija hita karai uchári 1 Parliyá mé so kahai
svayamdatika nári | 15a 11 Para-nayaka sô príti rasa
varanata udha anadha ! Kahai anudhá byáha binu
byal bôi so vặta || 15b 11 ]
Translation.
The six divisions of she who is Another's. (1) Vidagdhú, the Clever. She is either -
(a) Kriya-vidagdhá, clever in action, or
(6) Vachana-vidagdhá, clover in her language. (2) Laloshita, the Detected. Though she conceals them carefully, her amours are detected by her confidential friend.
1 For anusayand (m. c.)
