Book Title: Satapatha Brahmana
Author(s): Max Muller, Julius Eggeling
Publisher: Oxford

View full book text
Previous | Next

Page 16
________________ xviii SATAPATHA-BRÂHMANA. one of vital importance; whilst in the Agnikayana, on the contrary, it is of the very essence of the whole performance. Indeed, it seems to me by no means unlikely that the Purusha-Pragâpati dogma was first practically developed in connection with the ceremony of the Fire-altarl, and that, along with the admission of the latter into the regular sacrificial ceremonial, it was worked into the sacrificial theory generally. In the Agnikayana section (Kândas VI-X), as has already been stated ?, Sandilya is referred to as the chief authority in doctrinal matters, whilst in the remaining portions of the Brâhmana, that place of honour is assigned to Yagñavalkya. Now, it may be worthy of notice, in connection with this question of the Pragâpati dogma, that in the list of successive teachers 3 appended to the Agnikayana section, the transmission of the sacrificial science-or rather of the science of the Fire-altar, for the list can only nefer to that section is traced from Sandilya upwards to Tura Kåvasheya, who is stated to have reccived it from Pragâpati; the Lord of Creatures, on his part, having received it from the (impersonal) Brahman Does not this look almost like a distinct avowal of Sândılya and his spiritual predecessors being answerable for having introduced the doctrine of the identity of Pragâpati and the sacrifice into the sacrificial philosophy? If such be the case, the adaptation of this theory to the dogmatic explanation of the other parts of the ceremonial, as far as the Satapatha-Biâhmana is concerned, might be supposed to have been carried out about the time of Samgîvî-putra, when the union of the two lines of teachers seems to have taken place 4. But seeing that the tenth Kanda, Called the Mystery, or secret doctrine, of the Fire-altar, was apparently not at first included in the sacrificial canon of the Vâga 1 VI, 2, 2, 21, .This performance (of the Agnikayana) assuredly belongs to Pragâpati, for it is Pragâpata he undertakes (lo construct) by this performance.' 2 Part 1, introduction, p. xxxi. * For this Vamsa, as well as that appended to the last book of the Brahmana, see ibid p. xxxin, note I Ibid. p xxxiv, Max Muller, History of Ancient Sanskrit Literature, P 437.

Loading...

Page Navigation
1 ... 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 ... 433