________________
42.
Cf. Bhayani, H.C. (ed.). 1960: 140.
43. Cf. Vaidya, P.L. (ed.). 1940: 478.
44. Cf. Bhayani, H.C. (ed.). 1960: 141. Id.
45.
46.
Cf. Vaidya, P.L. (ed.). 1940: 479.
47.
Tomar, R.S. (ed.). 1993: 9.
48.
Cf. Bhayani, H.C. (ed.). 1960: 158.
49.
Cf. Vaidya, P.L. (ed.). 1940: 499.
50. Cf. Bhayani, H.C. (ed.). 1960: 158.
51.
Id.: 159.
52.
53.
54.
55.
56.
Cf. Vaidya, P.L. (ed.). 1940: 500. Id.,: 499.
67.
Cf. Bhayani, H.C. (ed.). 1960: 158.
Cf. Vaidya, P.L. (ed.). 1940: 500.
Chandra, K.R. 1970: 294-295; Chandra also refers to a passage in Puspadanta's story where a tilaka is applied to Sītā's forehead, which he believes to be a borrowing from Valmiki's Rāmāyaṇa. However, given the fact that Puspadanta also names Caturmukha as a great poet and since Caturmukha is considered to be a Brahmin (Cf. Bhayani, H.C. 1993: 195), it is possible that this passage was borrowed from Caturmukha instead of Valmiki. However, one can't be certain about this, until a manuscript of Caturmukha's Rāmāyaṇa is discovered. Cf. Vaidya, P.L. (ed.). 1940: 374-375.
57.
58.
Id.: 503.
59.
Id.: 501.
60.
Id.: 375.
61.
Id.: 397.
62. Id.: 409 & 414.
63.
Id.: 442-443.
64.
Id.: 499.
65.
Id.: 369.
66.
Id.: 369.
Id.: 393 & 494.
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