Kalplata Vivek

SR No.: 032756
Original Sutra Author: N/A
Author: Murari Lal Nagar, Harishankar Shastry
Publisher: L D Indology Ahmedabad
Publication Year: 1968
Total Pages: 550
Language: Hindi, Sanskrit
Classification: Book_Devnagari
File Size: 15 MB

Page 58

49 (vi) Gramya is not a dosa when the statement is couched in a decent pbraseolgy.' The ill. is (P. 24, 1. 18): kamas Kandarpa etc.? (vii) Asamasta is not a dosa in exciting Rasas when the sense produces floridity-3 (viii) Anirvyudha is not a dosa when due to the change in the Rasa, the style is changed (P. 24, 1. 19): samastam asamastam va na nirvahati yad vacah / tad anirvyud ham asyapi na dosah kvapi tad yatha // 4 The ill. is: (P. 24, 1. 20) prasida candi tyaja manyum anjasa janas tavayam puratah krtanjalih/ kim artham utkampita-pivarastana-dvayam tvaya lupta-vilasam asyate || 5 (ix) Analamkara is not a dosa, when an expression is calculated to serve as a connecting link between a former and a later statement. This is not traceable in Viveka. (111) Artha.dosas : The following Artha-dosas are treated in this sub-section : (1) Apustartha (p. 24, 1. 23): Whatever import is not useful to a parti. cular context is Apusta. The ill. is (p. 24, 1. 23): ativilata.gagana.sarani-prasarana- parimukta-visramanandah / marud-ullasita-saurbha-kamalakara-hasakyd ravir jayati // Here even if the epithets 'ativitata' and the like were not used the sense would have been complete hence they are a pusta, but neither asamgata (inconsistent) nor punarukia (repetition). 1. असभ्यार्थ मतं ग्राम्यं तद्ग्राम्योक्त्यैव दुष्यति / facralarit g aklajuata Haircut: 11 S. K. I. 131. 2. The ill. is, like most of the illustrations of Aritimad, borrowed from Danli (vide K. D. I. 64.) : 418 420TT au atafa face: cafe faca fazar ASYHTIECT98: 11 S. K. I. v. 173 (P. 25). 3. This is not traceable in Viveka; vide S. K. I. 132. The ill, is from Venisamhara III, 27. (vide S. K. I. v. 174 (P. 126). 4. S. R I. 133. 5. Here in the first half Stngara is the Rasa hence there is no compound but in the second half the emotion of anger is delineated hence the style is compounded, yet it adds to the beauty of the verse. Kalpalata (vide Viveka P. 24, 1. 20) here borrows the remarks on this verse from the S. K. I.-P. 126 : 'अत्रासमस्तरीत्यनिर्वाहादनियूँढत्वेऽपि रसान्तरपरिग्रहेण रीत्यन्तरपरिग्रहाद्गुणत्वम् / ' 6. Vide S, K, I, 134 (for definition). The ill. is given at S, K, I. v. 176. (P. 127).