Bhavisayatta Kaha

SR No.: 032126
Original Sutra Author: N/A
Author: Kavi Dhanpal, C D Dalal
Publisher: Baroda Central Library
Publication Year: 1923
Total Pages: 402
Language: Sanskrit, Hindi
Classification: Book_Devnagari
File Size: 33 MB

Page 33

$ 52. Passive Voice.
Sing. 1st 2nd 3rd अच्छिज्जइ, उपज्जा, कीयह
(=किज्ज III 13,4). जीधिज्जा, पूर्वति णज्जा, दुम्मई, दोसइ, मरिज्जइ, लइज्जइ, वणिज्जइ, विज्जिज्जइ,
समप्पड़, संबज्झाइ, सुपए, दिज्जए in IV Twhich is a Mah. Pr. passage $ 53. Participles.
(1) Present Part. अच्छंत, अवगनंत, असांती, करंत, खंत, गुलगुलंतु, जंत, पसरंत, पविस्समाण, (Mah. Pr. in IV 7)पिच्छमाणु, भुजंत, लहंत, वहंत, होत
Present Passive Part. चुम्बिज्जंतु • Causal Present Part. अवमाणियंत
(2) Past Part. This is freely used to denote the Past Tense. अक्खिय, अणुमनिया अणुहविय, अणुहय. अप्पाहिय (आपादित), अप्फालिय, अब्भंजिय, अब्भत्थिय, अवइण्ण, अवगन्निय अवयरिय, अवलोइय अहिलसिय, अहिसिंचिय, करिय, खंचिय, पत्तिय, पडिवनिय, सरिय।
आलत्त, खद (III 26,3), चित्र, दिण्ण, दिन, निरुत्त, पत्त, वुत्त. All these are Prākritisms. (3) Causal Past. Part. अवमाणिय, अवहारिय, गिन्हाविय, पासारिउ, सिक्खविय
(4) Poten. Part.अपिच्छणिज्ज, अक्खेव्वउ, अच्छिव्वउ, अप्पिव्वउ, करिव्वह, जाणिवा, पुच्छिव्वउ, मेलेब्वइ, लाइव्वइ, वंच्छिव्वड
$ 54. Infinitive. करणहं, देखणहं, वण्णणहं, परिणेवा (वछह x 16,8)
The Absolutive is often made to serve for the Inf. e. g. करिवि (को सका तउ कलंकउ ), घरेवि (न सकइ), निएवि (न सकिउ), (समुहुँ न सक्किउ) जोइवि, माणिवि (तहो आणिवि सकोवि असकउ)
काउं (IV 13 Mah. Passage), गाउं, णिएउं, तोडिउं (IV 7 Mih. Passage), देसिउँ (IV 13) $55. Absolutive.
अञ्चिवि, अणुमन्निवि, अपाहिवि, अप्फालिवि अवलोइवि एवि, अहि सिवि, उप्पमिवि, करिवि, करेवि 'णियच्छिवि, देक्खिवि, जुमिवि, परियच्छिवि, परियाणिवि, दुमिवि, मंभीसिवि, संचिवि
करेप्पिणु, as also करेविणु नेप्पिणु, पणविपिणु, गंतूण, गिण्डिऊण, पिच्छिउण, पुजिऊण are Prakritisms, Causal Aboslutive अवमाणिवि, अवहारिवि, वइसारिवि $ 56. Denominative. मुद्दाइ
VI
Metre:- Apabhramsa poetry was originally and essentially popular' poetry, like ballad poetry of the commonest people. It is therefore natural that it should have broken loose from the stereotyped classical form and adopted for its outward expression such metres as were supple and lively; such
See section VIII below.