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________________ Notes. 237 ought to be done. 3TZA ( 39+75T to show;. to manifest ) Imperative II person plural: FAIETOT ( FATETO) coming of a Tirthanker and an assemblage of twelve kinds of audience; A divine arrangement of seats etc. in a place where Bhagvān sits. ifa. (ofito ) series. FATHE (FAF57 ) simul-. taneously. अवनमंति (अवनमन्ति) they bend down. Taifa (sanfra) they raise up. FTAT (feafaa ) erect; stead-fast, motionless. ÁTTT (Àra ) together. qaliebegan to beat or play upon. qie-began to sing. org—began to dance. GT (GTA) breast; bosom. #7 ( #) slow. ari ( ari ) shrill. Fara Ariano (FAATaffea) The music arranged at three different times viz. (1) starting from the chest (2) reaching to the head, and (3) coming to the throat, in three particular successions of notes such as slow, shrill and sweet (according to the science of music). LİFTTHETIT (İFT+370+eT+39TE) the sound was like that possessed by the cave, which is favourable to singing. T ( #) attached. fastrated (freetracy) pure or clear at three places viz. chest, throat and head. Hetjša ect. (AHETTE Taiatadatogu DEEÃY)-equipped with the music which was
SR No.023121
Book TitleRai Paseniya Suttam Part 01
Original Sutra AuthorN/A
AuthorHiralal B Gandhi
PublisherHiralal B Gandhi
Publication Year1938
Total Pages300
LanguageEnglish
ClassificationBook_English & agam_rajprashniya
File Size18 MB
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