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SAHṚDAYĀLOKA
When we scanned the varieties and sub-varieties of dhvani, we had observed that A. has established rasa"di-dhvani in form of "abhidhāmūla-a-samlaksyakrama-vyangya-dhvani." This variety is suggested through varṇa/letters, pada/ words, vākya/sentence, samghatana/construction and prabandha/i.e. the whole composition. At Dhv. III. 2 he says:
"yas tv alakṣya-krama-vyangyo dhvanir varṇa-padā"diṣu, vākye samghaṭanāyām ca sa prabandhépi dipyate."
This A. explains citing apt illustrations. That under the fact of rasa-vyañjanā lies "aucitya" or "appropriateness" is also made clear by A.
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Explaing the rasa-vyañjakatā of a prabandha or a whole composition, A.
observes at Dhv. III. 10-14 that,
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"vibhāva-bhāva-anubhavasañcāry aucitya-cāruṇaḥ, vidhiḥ kathā-śarīrasya
vṛttasya utprekṣitasya vā. (III. 10, Dhv.)
itivṛtta-vaśāyātām,
tyaktvā an-anuguṇām sthitim, utpreksya-apy-antarábhīṣṭa
rasócita-kathónnayaḥ (Dhv. III. 11) "sandhi-sandhyanga-ghatanam rasábhivyakty apekṣayā na tu kevalayā śāstra
sthiti-sampādanecchayā." (Dhv. III. 12) uddipana-śamane yathāvasaram antarā,
rasasy-arabdha-viśranteḥ
anusandhānam anginaḥ, (Dhv. III. 13)
alamkṛtīnām saktāv apy
anurūpyeṇa yojanam,
prabandhasya rasā❞dīnām
vyañjakatve nibandhanam. (Dhv. III. 14)
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