Syadwad Muktawali

Author(s): S A Upadhyay
Publisher: Bharatiya Vidya Bhavan
Catalog link: https://jainqq.org/explore/020789/1

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Bharatiya Vidya Series-Vol. No. 26 SYADVADAMUKTAVALI OR JAINAVISESATARKA AND BHAVASAPTATIKA By SRI YASASVATSAGARA Critically edited with Introduction By S. A. UPADHYAYA Professor and Head of the Dept. of. Sanskrit Post-Graduate & Research Institute Bharatiya Vidya Bhavan faran Acharya Shri Kailassagarsuri Gyanmandir bhAratIya bhavana 13533 dut 1969 BHARATIYA VIDYA BHAVAN CHOWPATTY: BOMBAY-7 For Private And Personal Use Only

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Bharatiya Vidya Series Vol. No. 26 SYADVADAMUKTAVALI OR JAINAVISESATARKA AND BHAVASAPTATIKA By SRI YASASVATSAGARA Critically edited with Introduction By S. A. UPADHYAYA Professor and Head of the Dept. of. Sanskrit Post-Graduate & Research Institute Bharatiya Vidya Bhavan BRAIO 1969 BHARATIYA VIDYA BHAVAN CHOWPATTY: BOMBAY-7 For Private And Personal Use Only

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Bharatiya Vidya Bhavan, Bombay-7 November 25, 1968 FOREWORD We have great pleasure in publishing the critical editions of the two works of Sri Yasasvatsagara viz. Syadvadamuktavali (also known as Jaina visesatarka) and Bhavasaptatika prepared by Prof. S. A. Upadhyaya of the Bharatiya Vidya Bhavan's Post-Graduate and Research Institute. The first work deals with the Syadvada and the two Pramanas viz. the Pratyaksa and the Anumana. The second work deals with a few topics of Jyotisa like divasalagna, ayanamsakarana. ratrilagnasadhana, natonnatasadhana, dasamabhavasadhana and vimsopaka. Both these works are critically edited and published for the first time, and we hope that they will prove useful in assessing the literary merits of the well-known Jain author Sri Yasasvatsagara. J. H. DAVE Hon. Director.

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PREFACE This is my first attempt at preparing a critical edition of an unpublished text. After I attended the Seminar on Manuscriptology and Textual Criticism (Bangalore, 1963) at the invitation of the Ministry of Scientific and Cultural Affairs, Government of India, my Guru the late Professor H. D. Velankar, encouraged me to edit these two small works with a view to acquiring some practical training in text-editing. This attempt of mine owes its success to his constant encouragement and untiring guidance. The MS. of Sri Yasasvatsagara's Syadvidamultavali was placed in my hands by the noted Jain Muni Sri Mrgendra in 1964. While editing this text, I happened to come across the MS. of an. other work, viz. Bhivasaptatika, by the same author. Though conscious of my limitations in the field of Astrology, I ventured to edit this text with a view to bring into light one more work of the author. I am grateful to Dr. A. N. Upadhye, Dr. A. S. Gopani and Dr. H. C. Bhayani for their valuable suggestions in preparing the edition of these two works, to Dr. V. Raghavan and Dr. Kunjuni Raja for giving me the details of the available MSS. of these works and to Dr. A. D. Pusalkar for his valued co-operation and encouragement. Thanks are also due to the authorities of the Bhandarkar Oriental Research Institute, Poona, and the Lalbhai Dalpatbhai Bharatiya Samskrit Vidyamandir, Ahmedabad, for kindly making the MSS. available to me. The authorities of the Bharatiya Vidya Bhavan have always encouraged me in my academic pursuits, and I would be ungrateful if I do not express my sense of profound thanks to them. October 1, 1968 S. A. UPADHYAYA For Private And Personal Use Only

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CONTENTS Foreword Preface .. .. .. .. .. .. vii Syadvadamuktavali or Jainavisesatarka Introduction Text Bibliography .. .. .. .. .. .. 24 Bhavasaptatika Introduction .. .. .. .. .. .. .. .. .. .. .. .. 26 31 Text For Private And Personal Use Only

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SYADVADAMUKTAVALI OR JAINAVISESATARKA OF SRI YASASVATSAGARA INTRODUCTION 1. The text of the Syadvadamuktavali (also known as Jainuvisesutarka), which is published here for the first time, is critically edited from the only extant manuscript, bearing no. 736/1899-1915, belonging to the Government Collections of Manuscripts deposited at the Bhandarkar Oriental Research Institute, Poona.! II. The manuscript comprises three folios, each of the size 101" 7.4!". The paper of the manuscript is thin, country-made and yellowish grey in colour. The edges of all the three folios in the manuscript are slightly worn out. Besides three small holes, two slightly bigger holes are found in the upper right hand margin of the first folio. Few letters in the left hand part of the lines 2, 3 and 4 on folio 1 obverse have been rendered undecipherable as a result of three small bits of paper having got stuck fast thereon. On the whole, the condition of the manuscript is fairly good. The edges of the folios are ruled by a single red line; and the borders of the text are marked by three red lines. The ruling is fairly uneven. Pages 1a, 1b and 3a have fifteen lines each and page 3b, the last page, has only six lines. Each line has 38-41 letters. 1. Kapadia, H.R., Cat., Vol. XVIII, Part I, Poona, 1952, p. 11. Herein the details of the MSS. are given as under: Size-10 in. by 4 in. Extent-3 folios, 14 to 15 lines to a page; 41 letters to a line. Description--Country paper thin and grey; Jaina Devanagari characters; small, legible and very fair hand-writing, borders ruled in three lines and edges in one, in red ink; edges of the first two foll. slightly worn out; condition good; complete so far as it goes. Age--Old. For Private And Personal Use Only

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2 SYADVADAMUKTAVALI OR JAINAVISESATARKA The text is written in Jaina Devanagari characters. In particular, the palaeography of the letters na, tha, bha etc., of the conjunct letters jja, lla, stha, sta etc. and of the numerals 4, 7, 9 etc. in Devanagari, reveal the characteristics of the Jaina script. The handwriting is small, legible and quite fair. Folio la begins with the bhale symbol and ends with pritimavapa ka (I. 186); folio 1b ends with pramanatva (II.5b); folio 2a ends with manahparyiya (II. 18d); folio 2b ends with pratyabhijnana (III. 5a) and folio 3a ends with pradistau (III. 19c). The three stabaka-s are spread over la-1b; 16-2b; 26-3b respectively. The word Jainavisesatarkah in line 2 on page la is underlined in different ink. The colour of the ink indicates that the underlining is done quite recently probably to facilitate the reference to the title of the work. The manuscript, thus, appears to have been used by more than one person. At the top of the right hand margin on page 3b, the words T. 9. Ele are written. Probably, the present text was one of the many texts copied by the scribe. 8. 9. may indicate 199RO and gu may indicate either the running page number or the number of the text in the whole manuscript. There is no evidence in this manuscript to corroborate this conclusion On the last page, in a slanting manner, the words fa fafazi() 07 . 120 (in Gujarati numerals) are written in pencil. The calculation is wrong. The text, as available, is of about 91 grantha-s. III. In the absence of the usual colophon at the end of the text, it is difficult to ascertain the exact date of the manuscript. The condition of the manuscript indicates that it must be at least two hundred years old. IV. No detail about the scribe is available from the manuscript. The mode of the Devanagari characters reveals the scribe to be a Jaina. The corrections in the lines I. 36, I. 19a, II. 6d; the cancellation of the whole line in II. 25d; the wrong spellings viz, nirasa (sa) in I. 10d, $i(si)te $i(si)tam in II. 6b, mytpindah (dah) in II. 11d, satve (ttve) in III. 96, damu(mu)nomanayam in III. 14a etc.; the omission of letters in I. 18, I. 24, II, 5, II. 14, III. 12, III. 25; the non-observance of the parasavarsaniyama and indifference to the rules of samdhi in a few cases, indicate that the scribe lacked professional diligence and care. The last line of the text is, probably, written in great hurry; the scribe leaves out 21 lires for the readers to supply from the verse occurring earlier; the last line has three letters omitted and is extended in the margin though more than half of the page is just blank. This corroborates the inference that the scribe is a mediocre one. For Private And Personal Use Only

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SYADVADAMUKTAVALI OR JAINAVISESATARKA V. The author of this work Yasasvatsagara (also known as Jasvantasagara-JSSI para 962) is completely reticent about himself in his works. Details about the date and place of his birth, his childhood and education, his initiation as a monk and about his last days are not available. His works, however, reveal a few traits of his personality. He belonged to the Sagara sakhal of the Tapa gaccha. He was the pupil of Sri Yasahsagara.3 Jinaratnakosa,+ while recording the details of the vartika on Grahalaghava refers to Yasasvatsagara as the pupil of Kalyanasagara, pupil of Caritrasagara of the Tapagaccha. The prasasti from which the details are incorporated, appears to be incorrect. Elsewhere Jinaratnakosa5 refers to Yasasvatsagara as the pupil of Yasahsagara. Though belonging to the Svetambara sect, he has discussed only those principles which are accepted by both the svetambara and Digambara sects. He has not attempted to refute any other school of philosophy. Being a resident of Gujarat, the author revered, in particular, Sankhesvara-Parsvanatha, cf. TOFT TEST29755719.., at I. 1; siTeresataizafat wag at the commencement of his copy of Kalpasutra-Kiranavali. Being modest, he refers to his teachers in respectful terms, particularly to sri Caritrasagara. He considers himself very fortunate in having for his teacher sri Caritrasagara from whom he acquired 'the three gems' viz. jnana, darsana and caritra. Cf. cAritrAMza: kalau bhari bhAgyamAjAM sudurlabhaH / asmadbhAgyodayAdApto guruzcAritrasAgaraH / / --JSM I. 8S dadAti sevayA samyaka sAgaraH sAgarodbhavam / mayA ratnatrayaM prAptaM gurozcAritrasAgarAt // JSM III. 36 The author, being devout, wrote for his own reading and use, the text of Kalpasutra alongwith the commentary Kiranavali (also known as Kalpavyakhyanapaddhati or Kalpakiranavali) of Dhar 2. Of the many sckha-s of the Tapagaccha, viz. candra, ratna, vijaya, vimala, sagara, sundara and soma, only three-vijaya, vimala and sagara are current to-day. 3. Cf. I. 25 and colophon; II. 25 and colophon; III. 25; JSM I. 89 and colophon; II. 77 and colophon; III, 37 and colophon; IV. 43 and colophon; JS, p. 31, stanza 2 and colophon in the foot-note. 4. P. 113 5. Pp. 113, 145, 159 (145), 269, 296, 320, 416, 457. n in the foot.noophon; IV. 43; JSM I. 89 an For Private And Personal Use Only

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SYADVADAMUKTAVALI OR JAINAVISESATARKA masagaragani, the pupil of Hiravijayasuri. The writing was completed on V.S. 1721, sukla 8, Sravana. Cf. praNamya praNatAzeSavIraM vIrajinezvarama / svavAcanakRte kuveM kalpavyAkhyAnapaddhatim / / ziSyeNa kalpakiraNAvalinAmavRttivyAkhyAnavAcanakRte ca lipIkRteyaM / 977491aprates FOHET ( 1721) fa (3) za zuklASTamIzumadine namasaH zriye (5) stu|| zrIkalpasUtraTIkApustaM puNyArthamAtmanaH pUrNam / likhitaM yazasvatsAgaragaNinA sukhakAraNaM kRtinAm / / ' He must have studied Logic and Nyaya philosophy. His thorough grasp over Nyaya in particular may well be inferred from his exposition of the tenets of Nyaya in simple but lucid language. His works--Bhavasaptatika, Grahalaghavavartika and Yasorajapaddhati-lead us to infer that he also studied Astronomy and Horoscopy He has referred to Karmagranthas, Kairavakarakaumudio, Tattvarthasutralo, Tarkasamgrahall, Navatattvagatha12, Pramananayatattvaloka 3, Ratnakaravatarika?, Syadvadamanjarils as well as to Samantabhadrado, Siddhasena Divakara!?, Haribhadra18 etc. He has also quoted lines from Anyayogavyavacchedadvatrisikapadya (by Hemacandra) 9 Punyadhanakatha20, Prameyaratnakosa21, Vitaragastotra22, Sadavasyakabhasyagatho23 etc. His vast reading, thus, is unambiguously evident. The author himself has declared his indebtedness to Vadidevasuri, Cf. syAdvAdasukhabodhAya prakriyeyaM prtisstthitaa| vicArAmbudhibodhAya devasUrivaconugA // 24 6. Kapadia, H.R., Cat., Vol. XVII, Part II(a), Poona, 1936, p. 103. 7. Ibid, p. 107. Dr. K. P. Jog, (Centre of Advance study in Sanskrit, Poona), who examined this MSS. at my request, writes to me that the MSS. is carefully written in uniform characters. This indicates that the author's hand writing must have been quite good. 8. Cf. JS pp. 14, 19. 9. Cf. JS p. 4. 10. Cf. JS pp. 14, 15. Cf. JS P. 24. 12. Cf. JS pp. 12, 13, 14, 15. 13. Cf. JS pp. 16, 21, 22, 23. 14. Cf. JS p. 28. 15. Cf. JSM IV. 11. 16. Cf. JSM IV. 40. 17. Cf. JSM IV. 39. 18. Cf. JSM III. 5; JS p. 25. 19. Cf. JS p. 26. Cf. JS p. 14. 21. Cf. JS p. 30. 22. Cf. JS p. 27. 23. Cf. JS p. 15. 24. Cf. JSM IV. 44. For Private And Personal Use Only

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SYADVADAMUKTAVALI OR JAINAVISESATARKA ahaM bIjaM bhAvatazcAbhivandya samyagvidyAsadguruM madguruM ca / zrImaddevAcAryavaryoktiyuktyA syAdvAdasya prakriyAM vAvadAmi // 5 His presentation of the subject of Nyaya in the form of poetry reveals him as a poet. VI. During the forty-one years of his literary carrer Yasasvat. sagara wrote many works. Fifteen of his works are known todate. They are: 1. Grahalaghavavartika26, a commentary on Grahalaghava of Gancsa, composed in V.S. 1760 (= 1704 A D.). 2. Jainataricabhasa, a work in Logic, composed in V.S. 1759 (= 1703 A.D.). 3. Jainisaptapadarthi, an introductory text-book in Nyaya, com posed in V.S. 1757 (= 1701 A.D.). Jinaratnakosa27 refers to this work as Saptapadarthi. JSSR8 refers to this work as Jaina Saptapadarthi. This work has been edited by Muni Himamsuvijaya and published from Ujjain in 1934. According to the colophon of the manuscript ka printed as foot note no. 1 on p. 31 of the printed edition, the title of the work is Saptapadarthi, and the work was composed in V.S. 1758 at Samudayapura during the regin of Jayasimha. Probably, the author prefixed the word jaini to the title in order to distinguish his work from another homonymous work entitled Saptapadartha, a treatise of the Vaisesika system by Sivaditya, a Hindu writer. 4. Pramanavadartha, composed in V.S. 1759 (= 1703 A.D.). According to JSSP9 this work was composed at Sangramapura during the reign of Jayasimha. Jinaratnakosa30, gives the date of this work as V.S. 1758. 5. Bhavasaptatika, composed in V.S. 1740 (= 1684 A.D.). It deals with Jyotisa. 6. Manamanjari. 7. Yasorajapaddhati, a work on Horoscopy, composed in V.S. 1762 (= 1706 A.D.). JSSP refers to this work as Yasorajiraja paddhati. 8. Vadasamkhya. 9. Vadarthanirupana. 25. Cf. Stanza 1 in the MSS. of Jainatarkabhasa as quoted in the foot note at JS p. 19. 26. This work is referred to as Grhalaghava in JS p. 20. This is, probably, the printer's error. 27. Cf. p. 416. 28. Cf. p. 656, para 962. 29. Ibid. 30. CPS. p. 269. 31. Cf. p. 656, para 962. For Private And Personal Use Only

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SYADVADAMUKTAVALI OR JAINAVISESATARKA 10. Vicarasattrimsikavacuri, composed in V.S. 1721 (= 1665 A.D.). JSS12 mentions (1712?) as the doubtful date. 11. Sabdarthasumbandha, composed in V.S. 1758 (= 1702 A.D.). 12. Samasasobha. 13. Stavanaratna. 14. Syadvadamuktavali-This work has been edited (not on critical principles) by Muni Buddhisagara and published at Ahmedabad in V.S. 1965 (= 1909 A.D.33), Muni Buddhisagara has earned gratitude of all, by bringing into light a work by Yasasvatsagara for the first time. The title in the printed book reads Sri Jaina Syadvadamuktavali. It is difficult to guess any convincing reason for the addition of the word jaina in the title by the editor. 15. Syudvadamuktavali (or Jainavisesatarka), critically edited and published herewith. The manuscripts of the works bearing nos. 5, 7, 9, 10 and 13 are available in the collection at the Jati Motivijayaji's upasraya at Udayapura and of the works bearing nos. 1, 2, 3, 4, 6, 8, 11, 12 and 14 are in Sri Vijayadharmalaksmi Jnana Mandir at Agra.34 JSSI: refers to only nine works bearing nos. 1, 3, 4, 5, 7, 9, 10, 13 and 14 and states that the manuscripts of the first eight works are available in the collection of Yati Vivekavijaya at Udayapura. Jinatatnakosa36 records only eight works bearing nos. 1, 2, 3, 4, 5, 7, 14 and 15. Of these fifteen works, only three works (including the work edited herewith) are published. From the evidence of language and treatment of the subject, the chronological order of these three works may tentatively be fixed as: Syadvadamuktavali publishat Ahmedabad in 1909, (2) Syadvadamuktavali or Jainavisesatarka, edited herewith and (3) Jaini Saptapadarthi, published at Ujjain, 1934. . * Besides, in V.S. 1721, he composed a prasasti in five stanzas, after having himself written a manuscript of Kalpasutra with the commentary Kiranavali of Dharmasagaragani.37 32. Cf. p. 656, para 962. Prof. Kapadia, H.R. (in his article: sri Yasasvatsagara ane Syadvadamuktavali (in Gujarati) published in Sri Jaina Satya Prakasa, vol. 3, No. 9, p. 327-29) states that it is yet to be decided whether the avacuri on Vicarasattrimsika was composed in V.S. 1812 or V.S. 1721. The source of . V. S. 1812 is not traceable. Is it a printing mistake for V. S. 1712? 33. The printing of this work is far from satisfactory. Printing mistakes are cor rected in the quotations from this text in the article. 34. Cf. JS p. 20. . 35. Cf. JSSI P. 656, para 962. Cf. pp. 113, 159 (145), 416, 269, 296, 320, 457 and 145. 37. Cf. Kapadia, H.R., Cat., Vol. XVII, Part II(a), Poona, 1936, pp. 106-7. For Private And Personal Use Only

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SYADVADAMUKTAVALI OR JAINAVISESATARKA VII. The dates of his works indicate that the period of his literary activities extended from V.S. 1721 to V.S. 1762 (=from 1665 to 1706 A.D.). We may, therefore, infer that the author lived during the latter half of the seventeenth century and the first half of the eighteenth century. He must have been a contemporary of literary figures like Yasovijaya, Vinayavijaya, Meghavijaya Upadhyaya etc. For some time he must have lived at Samudayapura and Samgramapura during the reign of Jayasimha. VIII. Yasasvatsagara pays glowing tributes to his guru Yasahsagara--the best jewel in the assembly of the wise people from all the three worlds, the learned and the eloquent one. Cf. lokatrayovibudharAziziromaNInAM vidyAvinodarasanirjitadIdhitInAm / vAgDaMbarAdararavAlpitavAkpatInAM vidvadyazaHprathamasAgarasiMdhurANAm // 8 He is referred to as a pandita.39 Yasasvatsagara refers to Caritrasagara also as his guru. Probably our author received education (moral education, in particular) from Caritrasagara, who was well-known for his extremely pure conduct. Besides, he is described as 'the best one amongst the sadhis, the royal swan in the group of the modest kings, the lord of the rivers in the form of good conduct, the ocean of the rivers in the form of knowledge and the moon which gives delight to the ocean in form of good conduct'. His figure is described as lovely on account of his virtuous conduct. Cf. cAritrAMzaH kalau bhUri bhAgyamAjAM sudurlabhaH / asmad bhAgyodayAdApto guruzcAritrasAgaraH / / cAritracArumUtiryazcAritrarasasAgaraH / cAritrasiddhaya me stAdaguruzcAritrasAgaraH / / teSAM gaNe sakalasAdhaziro (5)vataMsA nishshessndhrnniishvrraajhNsaaH| cAritrasallalitavRttividhUtadoSAH cAritrasAgaralasadguravo babhUvuH / Also cf. I. 24, II. 24 and III. 24 in the text edited herewith. He persuaded the kings to give up hunting; cf. urbIzA bahugo yadIyavacanAdAkheTakaM tatyajuH / / 38. Ibid, p. 107. 39. Cf. Foot-note No. 1 at JS p. 31. 40. Cf. JSM I. 88. 41. Cf. JSM II. 76. 42. Cf. Kapadia, H.R., Cat., Vol. XVII, Part II(a), Poona, 1936, p. 106. 43. CI. I. 24. For Private And Personal Use Only

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SYADVADAMUKTAVALI OR JAINAVISESATARKA His blessings and help are often requested for by the authorparticularly for innbibing and preserving purity of conduct; cf: ... zrI guravo bhavantu mama te sadyaH sahAyapradAH / / 41 cAritrasiddhaya me stAdguruzcAritrasAgaraH / / 5 / / bhUyo bhadraM sa me dadyAt guruzcAritrasAgaraH / / 10 His teaching was unfailing and yielded due results; cf. rasAdayo dhAtava IzavAMchA phalAnayAH syaatpdlaaNchnaaste| pramANavatta phaladAyakAH syu zcAritrasatsAgarasaMpradipTAH // 17 It may be noted that Caritrasagara is not referred to in the Jai. nisaptapadarthi. The author pays his respects to sri Vijayaprabhasuri and to sri Kalyanasagara. Vijayaprabhasuri is referred to as 'the lovely moon for the ocean in the form of the Tapa gaccha;' cf. zrImat 'tapA' gaNamahodadhicArucandrAH srvjnyshaasnvibhaasnvaasrendraaH| ye sAMprataM sakalinAmanukAriNaste / zazvajjayantu vijayaprabhrasUrizakAH // 48 Kalyanasagara is the brilliant, the abode of prosperity, the ornament of the learned, the bestower of auspiciousness' etc. Cf. tatpaTTapUrvadharaNIdhra (? gha) raviprakAzA lakSmIvilAsanilayA vibudhaavtNsaaH| kalyANasAgara iti prathitAbhidhAnAH kalyANadA mama sadA guravo jayanti // The author pays his respects to Kalyanasagara; cf. paNDitazrIkalyANasAgaragaNibhyo namaH / -Line 1 in the ed. text syAdvAdamuktAvalI zrIkalyANasAgaragaNicaraNakamalebhyo nmH| 50 : IX. His language, though simple, is lucid. The inherent limitation of the subjects selected by him has made his expression compact. Cf. tatrA''dya caturbhedamavagrahahAvAyadhAraNA''khyetibhedAt / yathA indriyArthasamudbhaHtasattAmAtramavagrahaH, sAmAnyavyavasAyipratyaya ekavastujJAnavizepito yathA'yaM puruSo hasta 44. Ibid. 45. Cf. II. 24. 46. Cf. III. 24. 47. Cf. JSM IV. 42. 48. Cf. Kapadia, H.R., Cat., Vol. XVII, Part II(a), Poona, 1936, p. 106. 49. Ibid. 50. Ibid, p. 103. For Private And Personal Use Only

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SYADVADAMUKTAVALI-OR JAINAVISESATARKA pnnishir:kuurcaadilkssnnH| gRhItArthasaMzayAtyayalakSaNa (0NA?) IhA puruSo'yaM dAkSiNAtyo bhASAdyazeSalakSaNavijJAnAt / yAyAlayAdavagamAd avAyo dAkSiNAtya evAyam / kAlAntarasmatiyogyA dhAraNA prAcInadhAraNayA nizcita evAyaM dAkSiNAtyo na mAravIyaH / -JS P. 18. saMsAriNazca ye jIvAH saMsaranti puna: punaH / samasAezca saMsAre saMsariSyanti te sdaa|| -JSM I. 47. viruddhadharmAdhyAsastu nAnekAntaM pratikSipet / guDanAgarabhaiSajyAnna doSo'yaM dvayAtmani / / I. 23 His prose style is quite aphoristic. In some cases, the exposition of the subject, being too crisp, is not easily intelligible. The similarity of expressions between this text and his other two works as well as with Pramananayatattvaloka indicates the author's tendency to repeat certain words, phrases and expressions. As evident from the foot-notes, Vadidevasuri's Pramananayatattvaloka had a considerable influence on the poet's pen. The poet has a fascination for using words which are not current and are found only in lexicons; cf. the words: avisvagbhavasi, idakam52, kutas3, krsanumans4, damunasss, drahas, nagara), socihkesas etc. The nature of the subject hardly leaves any scope for poetic excellences; yet the alliteration is achieved 59, apt dystanta-s are put forward60 and expressive metaphors are employed.61 Thus both as a poet and as a scholar he deserves our attention. X. The work is uniformly divided into three chapters, called stabaka-s, each comprising twenty-five stanzas. The first chapter deals with the exposition of the syadvada, the second with the pratyaksa pramana and the last with the anumana pramana. The last chapter is not referred to as a stabaka, but as a gucchah; cf. taartiiyiiktyaanumaanvilsdguccho'[ymtraa]pymut| . - III. 25 51. Cf. JS p. 5. 52. Cf. III. 12. 53. Cf. JS p. 11. 54. Cf. JSM II. 31. 55. Cf. III. 14. 56. Cf. III. 20. 57. Cf. I. 23. 58. Cf. III. 20; JSM II. 41. 59. Cf. I. 9, III.2cd etc. 60. CI. I. 12, 16, 23; II. 21 etc. 61. Cf. I. 24. II. 24, III, 24 etc. For Private And Personal Use Only

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10 S YADVADAMUKTAVALI OR JAINAVISESATARKA XI. The text begins with the bhale symbol and obescience to sri Kalyanasagaragani. Below is given an analysis of the contents of the work: FIRST STABAKA Stanza No. Topic Mangala Enumeration of six padartha-s 3-9 samanya and visesa 10-23 syadvada obescience to Caritrasagara Author's own introduction. 2 1-2 3-5 7-9 10-13 14-15 SECOND STABAKA jiva jnanapramana yatharthyajnana samaropa (or apramanajnana) viparyaya, samsaya anadhyavasaya Kinds of karana-s pratyaksapramana (sarnvyavaharika; avagraha, iha, avaya, sudharana) avadhijnana manahparyayajnana kevalajnana arhat obescience to Caritrasagara Author's own Introduction 16-17 18 19-20 21-23 24 25 nsr khy 3-4 5-6 7-8 9 10 11-12 13-17 18-20 21-23 24 25 THIRD STABAKA paroksajnana and its five kinds. smarana pratyabhijnana tarka anvaya, vyatireka vyapti, paramarsa anumana hetu drstanta: sadharmya, vaidharmya upanaya, nigamana obescience to Caritrasagara Author's own introduction. XII. It is clear that the author has expounded the bare outlines only of the three topics (viz. syadvada, pratyaksa and anumana) without any attempt at detailed or comprehensive discussion. Obviously, the work was intended for, the beginners to acquaint themselves with the main tenets and terminology of the three principles-- syadvada, pratyaksa pramana and anumana pramana of the Jain For Private And Personal Use Only

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SYADVADAMUKTAVALI OR JAINAVISESATARKA 11 philosophy. The work, thus, is to be reckoned as an elementary text-book and not as critical or original exposition. It is, indeed, for the sisuprabodhayas2 as the author rightly points out in the opening stanza. XIII. The title of the present work is the Syudvadamuktavali, as is evident from the verse 25 of the three chapters and from the colophons at the end of the first two chapters. The opening stanza, however, refers to the work as the Jainavisesatarka which seems to be an alternative title for the present work: Another work entitled Sri Jaina Syadvadamuktavali by the same author, Yasasvatsagara, edited by Muni sri Buddhisagaraji was published by Shri Jhaveri Vadilal Vakhatacand at Ahmedabad in V.S. 1965 (= 1909 A.D.). This work is referred to as Syadvadainuktavali in stanzas I. 99, II. 77, III. 37 and IV. 43 as well as in the colophons at the end of the four chapters. The opening verse refers to this work as Jainavisesatarka. Are these two works identical? Undoubtedly not. Sri Jaina Syadvadamuktavali, published from Ahmedabad, contains four chapters of 89, 77, 37 and 44 stanzas respectively. These four chapters deal with pratyaksa, paroksa, prameya and sannayanirnaya respectively. The present text, published herewith. contains three chapters of 25 stanzas each, dealing with syadvada, pratyaksa and anumana respectively. The two works are, therefore, quite different. This is corroborated by the analysis of the contents and by the treatment of different topics in both the works. The problem is: why Yasasvatsagara gave the identical title and the identical alternative title to his two different works? It is difficult to put forward any convincing conjecture. Equally difficult it is to decide which work was composed earlier. Is it that the present work was composed later, as the author found that his other work was considered rather difficult by the students in the beginning? The present text is entitled as Syadvadamuktavali in accordance with the colophons. The title Jainavisesatarka is regarded as the alternative title as it is mentioned only in the opening stanza.63 Both the titles, however, are used for this text in order to distinguish it from the text entitled Sri Jaina syadvadamuktavali (also, Syadvadamuktavali and Jainavisesatarka) published from Ahmedabad 62. Cf. 1. 1. 63. Kapadia, H.R., Cat., Vol. XVIII, Part I, Poona, 1952, p. 11. records the title Gafas [ FOTETETTast] and notes: "Both these names are mentioned by the author himself, one just in the very first verse and the other, in the last verse. For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 12 SYADVADAMUKTAVALI OR JAINAVISESATARKA XIV. Of the seventy-five stanzas, fifty-nine are composed in the Anustubh metre, two in the Indravraja metre, three in the Upendravraja metre, ten in the Sardulavikridita metre and one in the Salini metre. Name of the Metre Anustubh Below is given the detailed metrical analysis of the text: Reference Total Indravraja ( ta, ta, ja, ga, ga, 5:6) Upendravraja (ja, ta, ja, ga, ga; 5:6 ) www.kobatirth.org Salini ( ma, ta, ta, ga, ga; 4:7) I. 2, 4-17, 19-21, 23 II. 1-13, 16-22, 24 III. 2-8, 10, 11; 13-18; 21-24 I. 3, 22 I. 1, III. 1, 19 Sardulavikridita I. 18, 24, 25 ( ma, sa, ja, sa, ta, ta, ga, 12:7) II. 14, 15, 23, 25 III. 9, 12, 25 III. 20 Acharya Shri Kailassagarsuri Gyanmandir 19 222 For Private And Personal Use Only 21 19 1 23431 myray 59 3 10 Total: The analysis presented here shows the poet's fondness for the Anustubh and Sardulavikriditai metres. A critical examination of the metrical composition of verses in particular, I. 2c, 10c, 13c, 21c, 23a; II. 2c, 3, 4c, 7a, 8a, 11c, 19; III. 11a, 14c, 16c-proves the poet to be only a moderate master of metrics. 75 XV. The manuscript, as is common, omits the insertion of avagraha sign and fails to observe the rule of parasavarna. The marking of danda and the separation of words are not uniform. These are restored in the edited text. Emendations are suggested in the round brackets at the respective places; additions are indicated in the rectangular brackets. Specific points regarding the text in the manuscript are mentioned in the foot-notes. The expressions in the present text bear similarity with those in the author's two published works viz. Jaini Saptapadarthi and Sri Jaina Syadvadamuktavali and with those in Vadidevasuri's Pramananayatattvaloka. The relevant references to this are given in the foot-notes.

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yazasvatsAgaraviracitA syAdvAdamuktAvalI vA tnaahiin: prathamaH stabakaH e ai 7 // aiM namaH // paNDitazrIkalyANasAgaragaNigurubhyo namaH // praNamya zaGkhezvarapArzvanAthaM prakAzitAnantapadArthasArtham / zizaprabodhAya tamastamo'rkaH prakAzyate jnvishesstrkH||1|| jIvAjIvau nabhaHkAlau dharmAdharmI vizeSataH / samasvabhAvAH syAdvAde padArthAH SaT prakotri (ti)tAH / / 2 / / tatrAsti sAmAnyavizeSakAdyanekAtmakazcaiva padArthasArthaH / eko'navRttivyativRttito'nyazcArthakriyAyA ghaTanAt tripadyA / / 3 / / 1. For Kalyanasagaragani, see para. VIII in the Introduction. abd=JSM I. 1 abd. c: ct. svAnyaprakAzAya tamastamorka:-JSM I. 1c. Cat. records tamastamorka: us tamasta (? mArka :). This is not correct. In the MSS. the word or is added in the space above between the words jaina and vizeSatarkaH. Figures 1, 2 and 3 are written above the words mayA, jainavizaSatarka: and prakAzyate respectively. These additions are obviously for zizaprabodhAya. The word janavizeSatarkaH is underlined in different ink. The colour of the ink indicates that the underlining is done quite recently, probably to facilitate the reference to the title of the work. 0:00 HFO is written in the MSS. as o tarchio The reading in the MSS. makes the Pada metrically defective. The text, therefore, is emended as 0nakAtmaka0. The word FIETS is written above the word 77 in the MSS. The word : is written in the margin on the right. Cf. PNT V. 1. For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 14 www.kobatirth.org SYADVADAMUKTAVALI OR JAINAVISESATARKA sAmAnyaM dvividhaM tiryagUrdhvatAdivibhedataH / AdyaM sAdhAraNaM vyaktau dvitIyaM dravyameva ca // 4 // tiryag (k ) sAmAnyamevaitad yathA gotvaM gavAM vraje / tallakSaNaM prativyakti tulyA pariNatistathA // 5 // dravatyadudruvatdroSyatyevaM traikAlikaM ca yat / tA~stAMstathaiva paryAyAntadddravyaM jinazAsane // 6 // avacchedaka evAyaM vyativRttiirha lakSaNam / vizeSo'pi dviprakAro guNaparyAyabhedataH // 7 // sahotpannA guNA dravye paryAyAH kramabhAvinaH / paryetyutpAdanAzau ca paryAyaH samudAhRtaH // 8 // paryAyANAM guNAnAM ca bhedo no dharmyapekSayA / svarUpApekSayA bhedaH prokto'yaM pUrvapaNDitaiH // 9 // syAdavyayamanekAntadyotakaM sarvathaiva yat / tadIyavAdaH syAdvAdaH sadaikAntanirAza ( sa ) kRt // 10 // sarvaM tathAnvayi dravyaM nityamanvayadarzanAt / anityametat paryAyaiH paryAyAnu bhavAdidam // 11 // tathA anAdinidhane dravye svaparyAyAH pratikSaNam / unmajjanti nimajjanti jalakallolavajjale // 12 // ekaviMzatibhAvAH syurjIvapudgalayormatAH / dharmAdInAM SoDaza syuH kAle paJcadaza smRtAH // 13 // Acharya Shri Kailassagarsuri Gyanmandir tulyA 4. Read JS p. 26: sAmAnyaM dvibhedam - tiryagUrdhvatAbhedAt / prativyakti pariNatistiryaksAmAnyaM zabalazAbaleyAdipiNDeSu gotvam / vyaktiM pratigataM pUrvAparasAdhAraNapariNAmadravya mUrdhvatAsAmAnyaM kaTakakaGkaNAnugAmikAJcanavat paryAyaparigatam / 6. JSM I. 11. The stanza is also quoted under of in JS (p. 4) wherein the Pada b is read as: traikAlikaM hi yat / The whole verse appears to be a quotation from some other work. 7,8. Also read JS p. 26, 27. 11. abc-JSM I. 18abc. d in JSM I. 18 reads : utpAdavyayasaMgataH 13. This stanza appears as a quotation in JS p. 6. For Private And Personal Use Only

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SYADVADAMUKTAVALI OR JAINAVISESATARKA utpAdadhAvyanAzAste syubhinnAbhinnalakSaNAt / parasparaM hi sApekSA [ : ] saMveyaM tripadI matA // 14 // rahitaH sthitinAzAbhyAM na cotpAdastu kevalaH / utpAdadhAvyarahito na nAzaH kevalo mataH // 15 // rahitotpAdanAzAbhyAM naikakA kevalA sthitiH / anyathAnupapattezca dRSTAntAH kurmaromavat / / 16 / / sarva jIvAdiSTa (D) dravyaM guNaparyAyasaMyutam / anekAntakalAkrAntaM siddhaM vastu trayAtmakam // 17 // yathA pradhvaste kalaze zuzoca tanayA maulI samutpAdite putraH prItimavApa kAmapi nRpaH zizrAya madhyasthatAm / pUrvAkAraparikSaya stadaparAkArodayastaddvayA vAcaka iti sthitaM trayamataM (taH ) tattvaM tathA pratyayAt // 18 // tathAnekAntato vastu bhAvAbhAvobhayAtmakam / yathA sattvaM svarUpeNa pararUpeNa cAnyathA / / 19 // paTAdyabhAvarUpazced ghaTo'yaM na bhavettadA / ghaTaH paTAdireva syAt tasmAdeSa dvayAtmakaH // 20 // dravyakSetra kAlabhAvApekSayApi ghaTo yathA / svabhAvena parabhAvAdbhinnastadubhayAtmakaH // 21 // arthakriyAkAri tadeva vastu svadravyazaktyA hi bhavet samartham / paryAyazaktyA tadihAsamartham sApekSametad sahakArirAzeH / / 22 / / 15 18. =JSM I. 19 wherein d reads tathyam ( for tattvam ) . This verse is quoted in the Ratnakaravatarika (p. 85) on PNT V. 8 as occurring in paJcAzati; breads prItImuvAha; d reads trayamayaM In the MSS. b reads kApi ca ( for kAmapi ) which is difficult to construe. In the light of ISM I. 19 and the reference in Ratnakaravatarika, the text is emended as kAmapi. 22. In the margin on the right, some word is written. All the letters are not deci - pherable as the edge of the folio is damaged. As it is, the word reads: takrAMmodaka -- t ta is written in pencil by some one, as the original letter is lost.

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SYADVADAMUKTAVALI OR JAINAVISESATARKA viruddhadharmAdhyAsastu nAnekAnta pratikSipet / gaDanAgarabhapajyAnna dopo'yaM yAtmani / / 23 / / cAritrAdimasAgarAH samagavan vidyApagAsAgarAH ropAM dhyAnavazA prasAdamakarot pdmaavtiidevtaa| urvIzA vahazo yadIyavacanAdAkheTakaM tatyajuH dhyAtA[ : ] zrIguravo bhavantu mama te sadyaH sahAyapradAH / / 24 / / itthaM zrIsamayaH sarAnusukRtaM syAhAdavAde sadA sUriH zrIvijayaprabhastapagaNAdhIzo natorvIzvaraH / kalyANAdimasAgarAvaguravaH prAjA yazaHsAgarA: tacchipyasya yazasvata: kRtiriyaM syAdvAdamuktAvalI // 25 // iti zrIsajjanamanomanojJAbhIpsitapratipAdanakalpavallyAM syAdvAdamuktAvalyAM syAdvAdavAdanirNaya: prathamastabakaH / dvitIyaH stavakaH jIvo dravyaM pramAtAtmA jJAtazcobhayamAnataH / saccaitanyasvarUpo'yaM para (ri) NAmI sa vizrutaH / / 1 / / kartA bhoktA tanUmAnaH pratikSetraM pRthag (ka) sthitaH / viziSTo'pi paudgaliko dRSTavAn digvizeSaNaH // 2 // jJAnaM pramANaM svaparavyavasAyIti lakSaNam / sadasadvastUpAdeyaheyakSamamudIritam // 3 // 23. nAgara (n.)-dry ginger. 25. a: zrIsamayaH sa rAnusukRtam is rather difficult to understand. Cat. records thIsamayaH sarA (?) tu sukRtaM; but this too is not intelligible. Can it be zrIsamayA nusArasukRtam ? b: cf. JSM I. 89a: sUri: zrIvijayaprabhastapagaNAdhIzo natezaH zriye c: cf. JSM I. 89b: kalyANAdimasAgarAvaguravo vidvadyaza:sAgarAH d=JSM-1: 89c. Colophon-Cat. records prathama(h) stabukah for prathamastabakah in the MSS. For Private And Personal Use Only

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SYADVADAMUKTAVALI OR JAINAVISESATARKA 17 prAmANyaM sannikaderajJAnasyeha nocyate / acetanatvAdvA svIyanizcayAkaraNatvataH / / 4 / / prayogau tu // vyavasAyasvabhAvaM hi pramANatvAdudIritam / samAropaviruddhatvAt yannavaM na tadIdRzam // 5 // tasmistadadhyavasAyavyavasAya: zi (si)te zi (si)tam / yathAvasthitasajjJAnaM yAthArthyamapare viduH / / 6 // yadviparItakakoTiniSTaGa kanaM viparyayaH / zuktikAyAM hi rajataM samAropo'yamAdimaH / / 7 / / anizcitAnekakoTispazi jJAnaM ca saMzayaH / sthANurvA puruSo veti samAropo dvitIyakaH // 8 // kimityAlocanaM jJAnaM jJeyo'nadhyavasAyakaH / gacchatazca tRNaspazi [pacArAt tRtIyakaH // 9 // dvividhaM kAraNaM jJeyamasAdhAraNamAdimam / sAdhAraNaM tatastAvattat sAdhakatamaM smRtam / / 10 / / pUrvAkAraparityAgAjjahadvRttottarAkRtiH / upAdAnakAraNaM tad mRtpiNDAH (NDa:) kalazasya ca / / 11 / / 5. ab-JSM I. Goab. cd=JSM I. 6lab. b: Some undecipherable letter (probably fat is written in place of in the text. G. ab: cf. JSM I. G1cd: tasmiMstadadhyavasAyo vyavasAya: shiteshitm| The last word ought to read fast ATA. In the MSS. 2097 fag: is written in the margin at the top. This is done because the corrected text is not easily decipherable. 7. u: cf. JSM I. 63a: viparItaikakoTestu bcd=JSM I. 63bcd. cf. viparItakakoTiniSTaGanaM vipryyH| -PNT I. 9; this text is quoted in JS p. 16. 8. -JSM I. 64. _ct. JS p. 16: anizcitAnekakoTisaMspazi jJAnaM saMzayaH sthANurvA puruSo veti / Also read PNT I. 11, 12 9. : Cf. JSM I. 65a: kimityAlocanaprAyam :=JSM I. 65b. ced: Cf. JSM I. 65cd: gacchatazca tRNasparzavipayaM jJAnamucyate / Also read PNT I. 13, 14. cf. JS p. 16. For Private And Personal Use Only

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SYADVADAMUKTAVALI OR JAINAVISESATARKA pUrvAkAraparityAgottarAkArasya nirmitii| pariNAmazca kAryatvaM mRtsnAyAM kalazo yathA // 12 // upAdAnAditritayaM kAraNaM sadbhiripyate / kAryakAraNatAbhAvo nokto granthasya gauravAt // 13 / / utpattau parataH svatazca parato jJaptI pramANaM bhavet pratyakSaM ca parokSametadubhayaM mAnaM jinendrAgame / akSAdhInatayAsmadAdividitaM spaSTaM tathA laukikam dvedhA tat priyapAramArthikamidaM dvedhA punaH saMmatam // 14 // AdyaM sAMvyavahArikaM punarapi dvedhendriyAtIndriyotpannatvAdvitayaM tathApi [ca ] caturbhedaM yathA'vagrahaH / IhAvAyasudhAraNAdibhiridaM jAtaM punastaddhitaM tatrAdyaM vikalaM tathA ca sakalaM tadvAn smRtastIrthakRt / / 15 / / avadhyAvaraNocchedAdavadhijJAnamiSyate / guNapratyayamevAdyaM tadrUpidravyagocaram // 16 // cAritrazuddhisaMjAtAd viziSTAvaraNakSayAt / yanmanodravyaparyAyasAkSAtkAri niveditam / / 17 / / tathA hi saMzijIvAnAM mAnuSakSetravatti (ti)nAm / manaHparyAyavijJAnaM manaHparyAyasaMjJikam // 18 // 14. ab=JSM I. 68ab. cd: Cf. JSM I. 68cd: akSAdhInatayAsmadAdi viditaM spapTaM dvidhA laukikm| anyattatkila pAramArthikamato nityaM satAM saMmatam // 15. abc: Cf. JSM I. 69abc: AdyaM sAMvyavahArika punarapi dvedhendriyAnindriyo'tpannatvAdviditaM tathApi hi caturbhedaM tathAvagrahaH / IhApAyasudhAraNAbhiruditaM jJAnaM hi matyAtmakam d=JSM. I. 69d. 17. Cf. JSM I. 80: cAritrazuddhi saMjAtaviziSTAvaraNakSayAt / yanmano dravyaparyAyAlambanaM viniveditam / / Also read JS p. 19. 18. a: Cf. JSM I. 8la: tad dveghA saMjJijIvAnAm bc=JSM I. 81bc. d: Cf. ISM I. 81d: manaHparyavasaMjJikam For Private And Personal Use Only

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SYADVADAMUKTAVALI OR JAINAVISESATARKA sAmagrItaH samudbhUtAt samastAvaraNakSayAt / sakalaM ghAtisaMghAtavidhAtApekSamIhitam // 19 // samasta vastuparyAyasAkSAtkAri trikAlataH / sarvathA sarvadravyAdyaiH kevalajJAnameva tat // 20 // arhannevAsti sarvajJo nirdoSatvAdudIritaH / yastu naivaM sa naivaM syAt yathA rathyApumAnasI // 21 // mAnAvirodhivAktvA (kyatvA ) t nirdoSo'rhannigadyate / yastu naivaM sa naivaM syAt yathA rathyApumAnasau // 22 // tasyeSTasya tathA pramANaviSayenAvAdhyamAnatvataH tadvAcaH pratipAdyamAnasuvidhestenA virodhodayaH / mAnenApi na vAdhyate nijamataM mAnAviruddhoditaH jJeyo'nyameva vizvaviditaH zrIvardhamAnaprabhuH // 23 // cAritracAmUrti (i) zcAritrarasasAgaraH / cAritrasiddhaye me stAdguruzcAritrasAgaraH / / 24 / / sUri : zrIvijayaprabhastapagaNAdhIzo natovrvazvaraH kalyANAdimasAgarAhvaguravaH prAjJA yazaH sAgarAH / tacchiSyasya yazasvataH kRtiriyaM syAdvAdamuktAvalI pratyakSastabakastadA samabhavat tasyAM dvitIyo'dhunA // 25 // iti zrIsyAdvAdamuktAvallyAM pratyakSabodhe dvitIyastabakaH / * 19. a: Cf. JSM 1. 82a : svasAmagrIvizeSodyat b = JSM I. 82b. ed: Cf. JSM I. 82cd: sakalaM ghAtisaMghAtavighAtApekSamIritam. Also read JS p. 19. 20. Cf. JSMI. 83: samastavastuvistArasAkSAtkAri trikAlataH / sarvathA sarvadA nityaM kevalajJAnameva tat // 24. JSM II. 76. 25. ab: Cf. JSM I. 89ab: sUri : zrIvijayaprabhastapagaNAdhIzo natezaH zriye kalyANAdimasAgarAhvaguravo vidvadyazaH sAgarAH / Acharya Shri Kailassagarsuri Gyanmandir tasyAmindriyavedanaM samabhavatguccho dvitIyo'dhunA / c=JSM I. 89c. d: Cf. JSM I. 89d: pratyakSastabakaH pramANarasikastatrAdya evAjani / d: Before the line given above in the text, the following line is written and struck off: 19. Colophon: with an attempt to improve upon it. However the context makes it clear that llyAM is intended. is not clearly written in the MSS. The letter written is For Private And Personal Use Only

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20 SYADYADAMUKTAVALI OR JAINAVISESATARKA tRtIyaH stabakaH atha dvitIyaM pratipAdyamAnAspaSTatvabhAvAbhimataM prokssm| Adye parokSe hi matizrute dve saiddhAntikAstAvadidaM vadanti // 1 // smaraNaM pratyabhijJAnaM tarko'thAnu mitiH zrutam / parokSaM paJcavA prAhurbhUrayaH pUrvasUrayaH // 2 // saMskArabodhasaMbhUtamanubhUtArthavedanam / tat tIrthakRtpraticchanda: smaraNaM prathamoditam / / 3 / / mAnApitA pratItiryA sa evAnubhavaH smRtaH / saMkalanaM vivakSAto vastupratyavamarzanam // 4 // pratyabhijJAnamevAtrAnubhavasmRtihetukam / sAmAnyadvayaviSayaM tathA saMkalanAtmakam // 5 // sa evAyaM jinadattastathA gopiNDa eSa saH / tattajjAtIya evAyaM gosadRggavayastathA // 6 // tarkaH pramANamAtreNopalambhAnupalambhataH / saMbhavaH kAraNaM yatra kAlatritayavartinoH / / 7 // sAdhyasAdhanayoAptyAdyAlambanamidaM hi yat / andayavyatirekAmyAM saMvedanamidaM hi saH // 8 // 1. =JSM II. 1. 2. =JSM H. 2. In the MSS. the figures 1, 2, 3, 4 and 5 are placed after the words smaraNaM, pratyabhijJAnaM, tarkaH, anu miti: and zrutam. 3. Cf. JS p. 20; PNT III. 3, 4. 4. Cf. JS p. 20. 5-6.Cf. PNT III. 5, 6. 7. =JSM II. 11. Cf. JS p. 20; PNT III, 7. 8. abc=JSM II. 12abc. d: Cf. ISM II. 12d: saMvedanamudIritam. For Private And Personal Use Only

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SYADVADAMUKTAVALI OR JAINAVISESATARKA 21 yAvAn kazcidayaM sa dhUmanikaraH satyeva vahnau bhavet yatsatve (tve) prathamo'nvayo nigadito yatsattvamevobhayam / dhamo'trAsati pAvake bhavati no sadyo dvitIyo'dhunA jJAtavyo vyatireka eSa hi tatazcaivAnyathA lakSaNam // 9 / / pratibandho'vinAbhAvasaMbandho vyAptiriSyate / hetuvyAptisamAyogaH parAmarzaH sa ucyate / / 10 // vaidhAnumAnaM svArthaM ca parArthamupacArataH / vyutpannAnAM tadaivekaM sahetuvacanAtmakam / / 11 / / saddhetomrahaNaM tathA smaraNakaM vyAptestayoH saMbhavam sAdhyajJAnamato 'numAnamidakaM svArthaM sudhIbhidhRtam / sAdhyatvaM [ca ] tathApratItamiti tat tredhA zrute vizrutam ki tvasmAdanirAkRtaM dvayamidaM cAbhIpsitaM tat trayam / / 12 / / mAdhyadharmaviziSTe'pi pakSatvaM dharmiNi dhrutam / anyathAnupapattyaikalakSaNo heturiSyate // 13 // damu (ga) nomAnayaM dezaH procyate pakSadharmatA / hetUditaM dhUmavattvAdanumAnaM sudhIhitam / / 14 / / hetuprayogato dvadhA tathopapattiranvayaH / anyathAnupapattistu vyatirekaH puroditaH // 15 // 9. av=JSM II. 19ab. cd: Cf. JSM II. 19cd: dhUmo'trAsati pAvake bhavati no tatta dvitIyo'dha naa| jJAtavyo vyatireka eSa satataM caivA'nyathA lakSaNam / / 10. ab: Cf. JSM II. 20ab: pratibandho'vinAbhAvaH saMbandho vyAptiriSyate cd=JSM II. 20cd. Cf. JS p. 21. 12. =JSM II. 30a. U=JSM II. 30b which reads anumAnakamidam which is obviously an error for anumAnamidakam. c-JSM II.30c. d: Cf. JSM II. 30d: kitvasmAdanirAkRtAdvayamidaM cAbhIpsitAttattrayam / 13. =JSM II. 29; Cf. JS p. 21; PNT III. Il. 14. a: CI. JSM II. 31a: kRzAnumAnayaM dezaH ___bcd=JSM II. 31bed. 15. =JSM II. 32. For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 22 www.kobatirth.org parasmai pratipAdyatvAt pratyakSAdeH parArthatA | tathaivamanumAnasya sarvatreyaM para ( rA ) rthatA // 16 // SYADVADAMUKTAVALI OR JAINAVISESATARKA vizeSAd vyutpAdayitumadhunA mandamedhasaH / paJcAvayavavikhyAtamanumAnamudIritam // 17 // prativandhapratipatterAspadaM yasya lakSaNam / devA sAdharmya vaidharmyabhedAt dRSTAnta eva saH // 18 // prakAzyate sAghanadharmasattA tasyAM kRtA sAdhyasudharmasattA | sAdharmya dRSTAnta iti pradiSTau yatrAsti dhUmo dahanastu tatra / / 19 / / sAdhyAbhAve sAdhanasyApyabhAvo vaidhamryoktevaM sa dRSTAnta eSaH / zociHkezAbhAvato'syApyabhAvo ghUmasyAsmin jJeya eva drahe saH // 20 // sAdhyadharmiNi saddhetorupasaMharaNaM yathA / dhUmazcAtra pradeze'yaM tasmAdupanayaH smRtaH // 21 // tatpunaH sAdhyadharmasya pUrvayogena bhASitam / tattasmAdagniratrAyametad nigamanaM smRtam // 22 // ya evaM ca sa evaM tau dRSTAntopanayau smRtau / pAkasthAnaM nigamanaM mandadhIsiddhaye trayam // 23 // 16. abc - JSM II. 33abc. 17. Cf. JS p. 22. 18. =JSM II. 35. d: Cf. JSM II. 33d: sarvatraiva vibhAvanA Acharya Shri Kailassagarsuri Gyanmandir Cf. pratibandhapratipatterAspadaM dRSTAntaH / Cf. PNT III. 43-44; also JS p. 21. which is obviously a misprint for ghUmo. 19. =ISM II. 40 which reads bhUmau 20. JSM II. 41 wherein breads and d reads which is an error for hrade. draha (m.) a deep lake. 21. JSM II. 36 which, in b, reads tathA for yathA. Cf. JS p. 22. 22. =JSM II. 37. 23. aJSM II. 39a. b: Cf. ISM II. 39b: dRSTAntopanayAvubhau cd=JSM II. 39cd. Cat. wrongly records this verse as: ya evaM ca praNavaMtau dRSTAMtopanayau smRtau // vAvasthAnaM nigamanaM maMdadhI dvighaye trayaM // For Private And Personal Use Only

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SYADVADAMUKTAVALI OR JAINAVICESATARKA cAritranimnagAnAthasamullAsanacandramAH / bhUyo bhadraM sa me dadyAt guruzcAritrasAgaraH // 24 // suriH zrIvijayapramastapagaNAdhIzo natorvIzvaraH kalyANAdimasAgarAvaguravaH prAjJA yazaHsAgarAH / tacchiSyasya yazasvataH kRtiriyaM syAdvAdamuktAvalI tArtIyIkatayAnumAnavilasadguccho'[yamatrA]pyabhUt / / 25 / / 24. The following verse is also wrongly recorded in the Cat, as: cAritranitta (tya)gAnAya smullaasncNdrmaaH| bhUyaM bhadro sa me dadyAt gurucAritrasAgaraH / / 25. The MSS. reads aft: fautyTH:0 indicating thus that the Padas abc are same as 25abc in the preceding stabaka. d: pyamUt is written in the margin on the right. Only six lines are written on this page. More than half of the page is blank. It is, thus, difficult to understand why the scribe preferred to write 0477 in the margin. Cat. records the line as: sUriH zrIvijayaprabhaH tAttIyIkatayAnumAnavilasadguccho (5) pybhuut| _In the centre, in a slanting manner the following words iti jainavizepatarka gra0 120 are written in pencil. 120 is written in Gujarati numerals. The usual colophons showing the end of the third stabaka and the end of the work are missing in the MSS. For Private And Personal Use Only

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ABBREVIATIONS Cat.=Descriptive Catalogue of the Government Collections of Manuscripts depo sited at the Bhandarkar Oriental Research Institute, compiled by Kapadia, Hiralal Rasikdas, Vol. XVII; Part II; Poona, 1936; also Vol. XVIII; Part 1; Poona, 1952. (Cat. without any details thereof refers to this latter volume.] JSM=Sri Jaina Syadvadamuktavali of Yasasvatsagara, ed. Muni sri Buddhi sagaraji, Ahmedabad, V.S. 1965. JS=Jaini Saptapadarthi of Yasasvatsagara, ed. Muni Himamsuvijaya, Ujjain, 1934. JSSI=Jaina Sahityano Samksipta Itihasa (in Gujarati) by Desai, M.D., Bombay, 1933. PNT=Pramananayatattvalokalankarah of Vadidevasuri, with the comm. Ratnakara vatarika by Ratnaprabhacharya, ed. Pandit Hargovinddas and Pandit Becardas, Varanasi, Veer Samvat 2437. BIBLIOGRAPHY 1. Desai, M.D.: Jaina Sahityano Samksipta Itihasa (in Gujarati), Bombay, 1933. 2. Kapadia, H.R.: Catalogue of Jain MSS. (See Cat. under abbreviations), Vol. XVII, Part II; Vol. XVIII, Part I. 3. Kapadia, H R: Sri Yasasvatsagara ane Syadvadamuktavali (in Gujarati) pub lished in Sri Jaina Satya Prakasa, Vol. 3, No. 9, pp. 327-29. 4. Vadidevasuri: Pramananayatattvalokalankarah with the commentary Ratna. karavatarika by Ratnaprabhacarya, ed. Pandit Hargovinddas and Pandit Becardas. Varanasi, Veer Samvat 2437. 5. Velankar, H.D.: Jinaratnakosa, Poona, 1944. 6. Yasasvatsagara: Sri Jaina Syadvadamuktavali, ed. Muni sri Buddhisagarji Ahmedabad, V.S. 1965. 7. Yasasvatsagara: Jaini Saptapadarthi, ed. Muni Himamsuvijaya, Ujjain, 1934. For Private And Personal Use Only

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yazasvatsAgaraviracitA bhAvasaptatikA BHAVASAPTATIKA OF SRI YASASVATSAGARA

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BHAVASAPTATIKA OF SRI YASASVATSAGARA Vu S. A. UPADHYAYA INTRODUCTION The text of Bhavasaptatika which is published here for the first time, is critically edited on the basis of the three manuscripts. The details of these three manuscripts are as under: (1) BORI: This refers to the manuscript bearing No. 884/1891-95 belonging to the Government collections of Manuscripts deposited at the Bhandarkar Oriental Research Institute, Poona. The manuscript consists of five folios, each of the size 10"X43". The paper of the manuscript is thin, country made, and yellowish grey. The edges of all the five folios in the manuscript are slightly worn out. The condition of the manuscript is good. The edges of the folios on left and right side are ruled by double red lines; and the borders of the text are marked by three red lines. The ruling is fairly uneven. Pages la, 16, 2a, 2b, 3a, 36, 4a and 46 have 11 lines each; page 5a has 7 lines and page 5b is blank. Kathavate, A.B. (Report on the Search for Sanskrit Manuscripts in the Bombay Presidency during the years 1891-95, Bombay, 1901, p. 59) records "lines on each page 21". This, probably, is the error due to the printer's devil. Each line has 35-38 letters. The text is written in Jaina Devanagari characters. The handwriting is bold, legible and uniform. The bhale symbol, the headings and the colophons of different topics, the numbers of the verses, the colophon at the end and the danda marks are written in red ink and the text is written in black ink Folio la begins with the bhale symbol and ends with ycyrfad (v. 8c), folio 16 ends with FIETH (v. 15d), folio 2a ends with (v. 23a); folio 2b ends with agar (v. 31b); folio 3a ends with if (v. 45d); folio 3b ends with qot: (v. 45d); folio 4c ends with Farifu (v. 57b) and folio 4b ends with fastiach tout (v. 67d). For Private And Personal Use Only

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BHAVASAPTATIKA Three lines, which are difficult to decipher, are written in different ink, in the centre of the margin at the top on page 2b. They are, probably, in Gujarati language. At the end of the text . farfa is written in different ink and probably by a different hand. Acharya Shri Kailassagarsuri Gyanmandir The colophon gives the date of writing the Mss. as V. S. Magha, Sukla 6, 1751. 27 The scribe of this Mss. appears to be just ordinary and not too careful. (2) LD 1: This refers to the manuscript bearing no. 5166 of The Punyavijayaji Collection at The Lalabhai Dalapatabhai Bharatiya Samskrti Vidyamandira, Ahmedabad. The manuscript consists of a single folio, of the size 10"X4". The paper of the manuscript is thin, country-made and slightly yellowish grey. The edges of the folio are worn out a little. The condition of the manuscript is fairly good. The borders of the text on the left and right side are marked by two vertical lines in black ink. The folio has 25 lines on both the sides. Each line has 60-64 letters. Vss. 30-34 are written, in different ink and probably by a different hand, in the margin on the left hand and are continued in the margin at the bottom of the folio la. At the end of this addition, some word which is difficult to decipher, is added. one. The text is written in Jaina Devanagari characters. The handwriting is small, legible and uniform. The headings and the colophons of different topics and the numbers of the verses (with a few exceptions) are marked with saffron-coloured pigment. The danda marks are not written. Folio la ends with the first letter of the v. 36. The colophon gives the date of writing the Mss. as V.S. Magha, Sukla 1762. The scribe of this manuscript appears to be just an ordinary (3) LD 2: This refers to the manuscript bearing no. 7373 of The Punyavijayaji collection at The Lalabhai Dalapatabhai Bharatiya Samskrti Vidyamandira, Ahmedabad. For Private And Personal Use Only The manuscript consists of 3 folios, each of the size of 10"x4". The paper of the manuscript is thin, country-made and yellowish white. The edges of all the folios in the manuscript are slightly worn out. The border on the left side of the folio 3 is fairly damaged; consequently the table written in the margin on folio 36 is mutilated. The condition of the manuscript is good. The edges of the folios on the left and right borders are ruled by a single

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28 BHAVASAPTATIKA red line; and the left and right borders of the text are marked with double red lines. The ruling is fairly uniform. Folios la, 1b, 2a, 2b and 3a have 14 lines each; and folio 3b has 9 lines, followed by eleven tables put in a single rectangular marked with red lines. One more table is written in the margin on the left side. Each line has 42-44 letters. The text is written in Jaina Devanagari characters. The handwriting is bold, legible and uniform. The headings and the colophons of different topics and the numbers of the verses are marked with light saffron-coloured pigment. The danda marks are not written. Folio la begins with the bhale symbol and ends with #ro (v. 12c"; folio 1b ends with palA (v. 23a); folio 2a ends with jyotirvido (v. 35c); folio 2b ends with Trefal (v. 46a) and folio 3a ends with faafazinio (V.63b). The scribe of this manuscript appears to be an ordinary one. The eleven tables given at the end of the text on folio 36 are as under: laMkAyAM palAni ajamera pa. sAMgAnera pa. 278 meM 299 323 323 ma.44 01. mi ka 219 252 303 343 ma me 218 vR 251 mi 303 ka 343 siM 347 ka 338 .44bhama 278 tu 337 tu tu ___0/0 6/0 60/48/20 000 57 47 20 tomAnagare pa. AgarAyAM pa. dilI nagare me va bha. mI ku bha. 223 255 305 341 343 - me vR mi ka si ka 219 252 304 343 346 337 mI kuM ma dha vR tu me 213 va 147 mi 278 ka 348 siM 351 ka 343 mI ku ma dha va tu 44 ( 5/30 55/44/18 59/47/20 65/52125 For Private And Personal Use Only

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BHAVASAPTATIKA 29 udayapura nagare sojitapalAni lAlapure pa. 225 256 mI ku vRSa meSa 221 mI vRSa 253 kuM mi 304 ma karka 342 dha siM 345 va ka 335 . tu me 203 vR 239 mi 298 ka 348 si 349 ka. 353 mI ku ma dha va tu 342 331 tu 5/20 53/43/18 57/47/19 7/30 75/60/25 masudAyAM palA meSa 221 mI vRSa 253 kuM mi 304 ma yodhapuranagare pa meSa 228 mI vRSa 259 kuM mi 307 ma ka 339 dha siM 339 va ka 328 tu 342 dha 335 tu -- - -- 57/47/19 50/40/19 In the margin on the left hand, the following table is written. 53/42/17 225 257 + REEle 340 341 331 The subject of Bhavasaptatika, comprising of 72 stanzas is Jyotisa and the topics dealt therein are: divasalagna, ayanamsakarana, ratrilagnasadhana, natonnatasidhana, dasamabhavasadhana, vinsopaka etc. The brief treatment of the different topics indicate the work to be an elementary text-book of Jyotisa. The date of the composition of the work as given in v. 71 is V.S. Krsna, 5, 1740, Friday. The title of the work is Bhavasaptatika. (cf. v. 70). Kathavate, in his Report on the Search for Sanskrit Manuscripts in the Bombay Presidency during the years 1891-95, (Bombay, 1901, P. 59) and Aufrecht in his Catalogus Catalogorum records For Private And Personal Use Only

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30 BHAVASAPTATIKA the title as Bhavasaptatika. Jinaratnakosa gives the title as Saptatika. The stanzas are composed in the anustubh and the indravraja metres. The text, as indicated by the title, consists of seventy verses. The verse No. 71 gives the date of the composition of the work. Both BORI and LD2 refer to this work as consisting of seventy-two verses (dvasaptatika) in the colophon. The BORI numbers the last verse as 72 and the LD2 as 70. This, obviously, is quite strange. In the BORI No. 7 is repeated and Nos. 13 and 66 are omitted. In the LD2, as shown in the foot-note, stanzas 57 and 58 are combined into one stanza which is shown as No. 57 in the MSS. Thus if the error in numbering is rectified, all the three MSS. will have seventy-one verses only. In the edited text, the insertion of the avagraha sign, the uni. formity in marking the danda, etc. are observed to make the text readable. Emendations are suggested in the round brackets and additions in the rectangular brackets, at the respective places. For Private And Personal Use Only

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yazasvatsAgaraviracitA bhAvasaptatikA ||aiN nmH|| atha zrIpatipaddhatyanusArato divasalagnasAdhanam / " tAtkAlika: spaSTadinAdhinAtho' yanAMzayukto divasasya lgne| pAtyAstadaMzAH khaguNe 30bhya eva bhogyAMzakAste prabhavanti nUnam / / 1 / / athAyanAMzakaraNaM yathA zako vihInaH zarasindhuvedaiH 445 zeSAkRto'zAH khalu SaSTilabhyAH / zeSa kalAstAH pratimAsamekam paJcaiva nanaM vikalA bhavanti / / 2 / / lagnaM bhavet yat khalu sAyanArkam rAzau svadezodayi lagnametat / svadezalagnasya palavinimnA bhogyAMzakAste savitusvidhAsthAH / / 3 / / A: LDI omits the expression. LD2 omits 974: B: BORI, LD2 : zrIpatipaddhanyasAra0 _LDI : divAlagnasAyanamAha 1. c: BORI : khe guNe. LDomits 30 d: LDI : bhogya C: BORI omits #4 LDI : 377EUR for 241 2. : LDI : zeSAkRtAMsA: LDI : SaSTi 60 labhyAH LD2 : SaSTilabhyaH c: BORI : carcar 3. : LD 2 : sAyanArka b: LD2 : svadazodayi BORI lagnametata c: LD2 : tridhAsthAm For Private And Personal Use Only

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32 BHAVASAPTATIKA SaSTayA caTApyopariyojitAni tathApyavasthAcca tato dvitiiye| paSTayA caTApyopariyojitAni sthAne tRtIye sudhiyA vidheyam // 4 // sthAne tRtIye khaguNa 30vibhaktam labdhaM phalaM yadravibhogyasaMjJam / palAtmakaM tatpravadanti vijJAH zodhyaM nijIyeSTaghaTIpalebhyaH // 5 // nijeSTaghaTyaH khalu paSTinighnA avasthitaireva palaivimithAH / ebhyo vizodhyaM ravibhogyametat tato'vaziSTaM ca yathAsthitaM hi // 6 // yAvanti lagnasya palAni yAni . zuddhayanti zodhyAni tato'pi tAni / anukrameNeha tathApyanena ___ lagnAni zodhyAni puraHsthitAni / / 7 / / trizadbhirevaM nihataM ca zeSam azuddhalagnasya palaivibhaktam / zeSa hi SaSTyAbhihataM tvazuddha-- palaivibhaktaM punaretadeva // 8 // 4. : LD1 : SaSTayA 60 G: BORI, LD2 omits ca I.D1 : tathApyastAcca c: LDI : SaSTayA 60 5. c: BORI, LD2 : vijJA d: LD2 : degpalebhya - 6. : BORI : khaSTinidhanA c: LD2 adds nIjIyeSTaghaTopalebhyaH after vizodhyaM. Obviously this is repeated from v. 5d through scribe's inadvertence. BORI : rvibhogymet| ttato. It is clear that the dandre mark shouring the end of the line is misplaced. 7. c: LD2 : tathApyatena 8. : LD1 : triMzaddhi 30 revaM c: LDI : SaSTayA 60 hataM h: BORI : palaivibhaktaM For Private And Personal Use Only

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..BHAVASAPTATIKA grAhyaM vidhAsthaM phalamuktarItyA tasyopariSTAdvibudhainivezyaH / azuddhalagnasya ca pUrvarAzi meMpAdiko'yaM kila vartamAnaH / / 9 / / athAyanAMzai rahita vidheyaM yadAyanAMzA na patanti tebhyaH / uttArya rAzi khalu taivihIna spaSTaM tadA lagnamudAharanti // 10 // iti dinajAtalagnasAdhanam / atha rAtrilagnasAdhanam / rAtrau yadA janma janasya yasya ___ lagne tadAnIM kathito vizeSaH / pUrva kRtaH sAyanasaptasapti statraiva yojyaM kila rAziSaTkam / / 11 / / bhogyAMzakAH pUrvavadeva sAdhyA guNyAH plstuudyilgnstkH| kArya purAvatkila sUryabhogya heyaM tathA rAtrighaTIpalebhyaH / / 12 / / tathaiva lagnasya palAni tAniH tyAjyAni zeSaM kila pUrvavacca / 9. : .DI : nivezya C: LDI : pUrvarAzi 10. G: LDI : athAyanAMzarahita : LDI : yadAyanAMsa LD1 : tebhya c: BORI, LD2 : nAya d: LD1 : spaSTaH D: LDI : faqi for fan E: BORI, LD2 : rAtrilagnaMsAdhanam ; LDI : rAtrijAtalagnasAdhanamAha ]]. b: BOR1 : lagne _c: LD1 : sAyanasaptasapteH 12. b: LD1 : palaistUdayilagnasatkai : BOR1 : sUryabhaugyaM 13. b: LD2 : pUrvapatraH For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 34 15. 16. azuddhapUrvairajapUrvaka staM azuddhalagnasya palairvibhaktaM tricA phalaM grAhyamatastathaiva // 13 // www.kobatirth.org BHAVASAPTATIKA yu ( [) ktaM tathaivAyanabhAgahInam / ityuktarItyA rajanIvilagnaM kAryaM yathAzAstramidaM pradiSTam // 14 // atheSTasamaya ravibhogyato hInastadA kiM karttavyamiti vimRzya tatsamAdhAnArthaM vizeSeNa lagnasAdhanaM yathA-" yadiSTakAlo ravibhogyatastu hInastadAnIM kathito vizeSaH / tatpUrvavatsAyanasUryabhogyAt sAdhyaM purastAdravibhogyametat / / 15 / / kAryANi naijeSTaghaTIpalAni temyo na vA zuddhayati sUryabhogyam / tadA nijeSTasya palAni yAni trizadvinighnAni tathaiva tAni / / 16 / / lagnaM ca yatsAyanasUryarAzau tadAyalagnasya palairvibhaktam / zeSaM ca SaSTyabhihataM hitena tristhaM phalaM pUrvavadeva kAryam / / 13 / / tadeva yojyaM kila sAyanArke phalaM samagraM hitadaMzakAdyam / d: BORI : triMzadvininAni 17. : LD2 : tadIyalagnasya F' : BOR1, LD2 : athaiSTasapayo BORI : tatsAmAcArya LD2 : lagnaM sAdhanaM LDI : Ai for yathA : BORI : yadeSTakAlo LD2 : dayeSTakAlo c: BORI : 0 sUyobhogyAt LD1 : naijeSTaghaTIpalebhya LDI : tAghalagnasya c : LDI : SaSTya 60 bhihitaM Acharya Shri Kailassagarsuri Gyanmandir C: BORI : pAni for yAni In the left-hand-margin the correction tA for is shown. LD1: aifa For Private And Personal Use Only

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BHAVASAPTATIKA tato'yanAMza rahitaM tadeva spaSTaM punarlagnamudAharanti // 18 // iti lagnasAdhanam / aya dazamabhAvasAyanAya natonnate natonatasAyanArya dinarAtrimAne tadaryamAha--" dinasya mAnaM yadi sAdhanIyaM sthApyastadA spaSTadinAdhirAjaH / tathAyanAMzaH sahito vidheyo mujo vidheyaH punarasya tAvat // 19 // rAzitrayAbhyantaragomujaH syAt SaDbhyo vizuddhastyadhikaH sa eva / paDmAdhikaH SaDmavihIna eva navAdhiko maNDalato vizoghyaH / / 20 / / atha caraSaMDa (khaNDa) kArthamakSaprabhAnayanam / meSArkataH prAgayanAMzakAdime dine dinezasya dinArddhavattinaH / chAyAgabhastyaGagulamAnazaMkoH sAkSaprabhA sveSTapure niruktA / / 21 / / sthAnatraye sA palabhA nivezyA digbhistathaikatraparatra naagH| anyatra digbhistrivibhaktamantyaM bhavanti nUnaM carapa (kha) NDakAni // 22 // G: LDI : tatsAdhanArtha for natonnatasAdhanArtha 20. : LDI : gobhuja b: LD2 : viddhastyadhika: c: LD2 : paDbhavivihIna d: LD1 : maNDalato 12 BORI : vizodhya LD2 : vizuddha : 21. U: LD2 : dinezAsya c: LD2 : mInazaMkoH 22. : LD1 : sthAne ye b: BORI : tathaikAyaratra LD2 tathaikaparatra __LD2 : nAgai:LDI : nAga: 8 c: BORI : digmiritravibhaktamatyaM LDI : digmiA strivibhaktamantyaM. For Private And Personal Use Only

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36 BHAVASAPTATIKA meSAdikAnAM kamataH palAni . laMkodayAnyUnitayojitAni / . nijIyadezyAni palAni tAni bhavanti mepapramukhAni nUnam / / 23 / / atha prakRtama / satyekarAzau gatakhaNDakastu rAzidvaye khnnddkyugmmuktm| rAzipramANogatakhaNDakaH syA dityuktarItyA svayamevamahyam // 24 / / bhogyena khaNDena hatAstadaMzAH sthAnatrayete pRthageva kAryAH / paSTayA caTApyoparikhatrilabdha carapramANa munayo vadanti // 25 // palAtmakaM taccarameva SaSTyA bhaktaM ca nADyAdikamAhurAryAH / sthAnadvayetAH pRthageva nUnaM tithipramANA ghaTikA nivezyAH // 26 / / meSAdiSaTrAzigabhAnubhogAt syAduttaro gola iti prasiddhaH / tulAdiSaTrAzigabhAnubhogAt syAddakSiNo gola itIha vRddhAH / / 27 / / 23. : BOR1 : kamataH d: LD1 : meSapramupAni 24. c: BORI : 0khaNDaka 25. c: LD1 : caTApyoparipatrilabdhaM Figure 30 corresponding to patri is added in the margin on the right side. LD2 : azpratafia faszi b: LDI : 3171 & : LD1 : SaSTayA50 c: LD2 : sthAnadvayetA d: LD1 : nivezyA 27. c: LD1 : tulAdiSaDA6zi0 d: LD2 : iti ha LD2 : vRddhA For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra yathA 29. 30. www.kobatirth.org 32. BHAVASAPTATIKA caraM vihInaM tithinADikAbhyas tatsamyagole kathitaM dinArdham / caraM ca yuktaM tithinADikAsu tadyAmyagole kathitaM nizArdham // 28 // dvighnaM tadetat nijamAnamAhur dinasya rAtrerapi mAnamuktam / pUrvAparAbhyAM ca natonnatAbhyAM sAdhyaM ca madhyaM hi tadarthametat / / 29 / / atha natotasAdhanamAha / natonnate prAgaparaprabhedAt sUryasya bibena kRto hi bhedaH / na. taM dvidhAvAsararAtrijArddha jAtaM nijeSTAd gatazeSajAtum // 30 // sUryodayAdyA ghaTikA dinArddhaM yAvadgatAstA niyataM dinArddhAt / pAtyAstadAnIM hi nataMta bhaveta (tu) prAcyAM mataM tatsamudAharanti // 31 // 28. b: LD2 : tatasomyagole c: LD2 : nara dinasya zeSaM niyataM dinArddhAt pAtyaM nataM pazcimanatastadeva / madhyAhnakAlepyatha cArdharAtrau smRto natAbhAva itIha vRddhAH // 32 // LD2 : tadetta BORI : nijapAnamAhu LD2 : nijamAnamAhu b: LDI : mAnayuktaM d: LD2 : madhya : LD1, LD2 : prabhedA d: LD1 : niyeSTAdgatazepajAtaM LD2 : nijeSTAkana zeSajAt 31. D: BORI, LD2 : niyaMta C: LDI: pAtyAstadaMzA LD2: dinanaM for hi nataM; bhavet b: BORI : pazvimanastadeva c: BOR1 : madhyAhnakAlepmitha d: LD1 : vRddhA 3

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rAtrargataM vApi dinArddhayuktaM yAvanizAddhaM hi nataM pratIcyAm / zepaM ca rAtraMdivasArddhayuktaM prAcyAM nataM tAvadudAharanti // 33 // viMzaccyutaM tannatamannate syAt tato'nyathAprAgaparaprabhedAt / ityuktarItyA vibudhaividheye natonate dve bhavatastvidAnIm / / 34 / / iti natonnatasAdhanam / " aya natAbhAve dazamasAdhanam / sUryodaye sUrya eva lagnaM jyotirvido viduH / madhyAhne'pi natAbhAve sa eva dazamaM matam / / 35 / / evaM yatrApi dazamaM madhyamadhyaM pratiSTi(pThi)tam / jJeyaM sudhiyA svaviyA natAbhAve'pi nityazaH / / 36 // patha pUrvanate dazamalagnasAdhanaM yathA-- laMkodayaH pUrvanate viloma kna(RNAtyalagnaM pravadanti vijJAH / sa pUrvavatsAyanasUrya eva tadbhaktamAgA niyataM ta eva // 37 // 33. : LD2 : rAtraurgataM 34. b: BORI : mAgaparaprabhedAta LD2 : pragaparaprabhedAt 7 : LD2 : tannatamunnata c: LDI : vibudhIvidheyA d: LDI : natonnato LDI : bhaktastadAnI H: LD1 omits this line. LD2 : natonnatasAdhanaM I: LD1 : natAbhAvadazamabhAvasAdhanaM 15..: LD2 : lagne LD2 : jyotirvidA : BORI : evaM ab: LD2 : madhyaMmadhya c: LD1 : sudhIyA svadhIyA J: LD1 omits yathA 7. 4 : LD1 : laMkodayi LD1 : pUrvanatA LD2 : viloma c: LD1 : pUrvat d: LD2 : tadbhaktabhAgA For Private And Personal Use Only

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BHAVASAPTATIKA lakodayalaMgnapalavinighnA strizadvibhaktaM ghuparisthitaM yat / tatsUryamuktaM bhavatIha heyaM natasya paurvasya ghaTIpalebhyaH // 38 // tato viziSTaM hi palAtmakaM ca tebhyo vizodhyAni palAni tAni / tatpRSTalagnasya palAni yAni vyatikrameNApi ca zodhitAni // 39 // yAvanti zuddhayanti ca pUrvavattu zodhyAni zeSaM ca kharAmanighnam / azuddhalagnasya palavibhaktaM phalaM tvazuddhAdimarAziyuktam // 40 / / tathAyanAMza rahitaM vilagnaM madhyaM vilomaM munibhiniruktam / iti pUrvanate dazamabhAvasAdhanam / atha pazcimanate dazamabhAvasAdhanaM yathA-- pratyaG nataM ceSTamiva prakalpyaM laMkodayalaMgnavadeva sAdhyam // 41 // iti pazcimanate vazamabhAvasAdhanam / ' - 38. -: LDI : laMkodayi b: LDI : triMzaH dvibhaktaM LD2: aparisthita C: LDI : heya d: LD1 : pUrvasya LD2 : ghaTIpalebhya 39. a; LD2 : vaziSTa 40. .: BORI : pUrvavatu ab : BORI : pUrvavattuze / / dhyAni b: LD1 : kharAma30niyam c: BORI : azrulagnasya (.: BORI : tathAyanAze b: BORI : munibhinirukta K: LD2 omits qui c: BORI : prakalpya L: LD1 omits the line, For Private And Personal Use Only

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A0 BHAVASAPTATIKA atho'nnate dazamabhAvasAdhanaM yathA-- iSTaM prakalpyo'natameva tAvat SaDAziyukte kila saayne'rke| laMkodayalaMgnavadeva sAdhyam bhavettadAnI dazamaM vilagnam / / 42 / / ityunate dazamabhAvasAdhanam / / atha nataM vinaMva dazamabhAvasAdhanam / nataM vinaiva dazamaM vilagnam prasAnyate vApi matAntareNa / lagnaM prakalpyaiva ravi tato'pi caraM samAnIya nizArddhamAnam / / 43 / / nizArddhamAne'STamiva prakalpya .. lagnaM prakalpyaiva ravi purastAt / laMkodayairlagnavadeva sAdhyaM bhaveccaturthaM dazamaM saSaDbham // 44 // iti dazamabhAvasAdhanam / athAnye bhAvA anya saMghayastatsAdhanaM yathA--0 lagnaM saSaDbhaM hi kalatrabhAva: madhyaM saSaDmaM ca caturtha bhaavH| lagnaM caturthAt kila zodhanIyaM zeSasya kAryastu lavo'pi SaSTaH // 45 // 2. 8: LDI : iSTaH b: LDI : SaDrAraziyukte LD2 : sAyanAkeM _M: BORI : dazamasAdhanam 4. : LD1 : laMkodAyarlagnavadeva LD2 : lakodarlagnavadeva N: BORI, LD2 : dazamasAdhana O: LD1 omits anye after bhAvA: LD2 : bhAvo LDI : saMdhayazca 5. b: LD1 : saSabha6 d: LD2: paSTa For Private And Personal Use Only

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Shri Mahavir Jain Aradhana Kendra 48. 49. www.kobatirth.org BHAVASAPTATIKA rAzInAzakAH kAryAstalasthAMzavimizritAH / eSAM SaSTo vibhAgastu jAyateM'zAdikaH sphuTa: / / 46 / zeSaM SaSTihataM kRtvA talasthAMkai vimizritam / SaDbharbhAgaH punardeyaH zeSaM kAryaM tathaiva ca // 47 // evaM SaDaMzakoM zAdi rUpAbuddho dvitIyakaH / lagne prathamako yojyaH punastuyeM dvitIyakaH // 48 // Adya: SaDaMzako lagne yuktaH saMghidvitIyakaH / so'pi saMdhau punaH kSiptastadA bhAvo dvitIyakaH // 49 // bhAve dvitIyake kSiptaH saMdhidvitIyakasya ca / tatra saMdhI punaH kSipte bhavedbhAvastRtIyakaH / / 50 / / bhAve tRtIyake kSipta: saMdhistRtIyakasya ca / tatra saMdhau punaH kSipte bhavedbhAvazcaturthakaH // 51 // 46. BORI: rAzInAM maMzakA: LDI : rAzInAmaMzakA LD2 : rAzInamaMzakA : 6 : LD1 : talasthAMzaivimizratAH C: LD1: SaSTo d: LD1 : jAyatezAdikasphuTa: 47. b: LDI : talasvaMvimizritaM punadvatIyastu bhAve saMdhyAditaH kramAt / sarve bhAvAH saMghayaH syurekavelamanukramAt // 52 // cd : LD2 : kSipta:stadA 50. a: LD2 : dvitIya ke C: LDI : paSTirbhAga a : LD2 : SaDaMzakozAdi b: LD2 : stupA buddho LDI : dvitIyaga: d: LDI : dvitIyaka a : LD1 : Aya b: LD1 : saMdhIdvaitIyaka ab : BORI records danda after yuktaH 6 : LD1, LD2 : saMdhidvitIyakasya c : LD2 : siMdhau LD1 : kSiptau BORI, LD2 : kSipto d: LDI : tRtIyaka 51. 52. a: LD2 : punadvitIyakastUrye a: BORI : tRtI ke LD2 : kSiptA: Acharya Shri Kailassagarsuri Gyanmandir b: LD2 : saMdhyAdita ab : BORI records danda after saMdhyAdita: d: BORI: syurekacelamanukramAta For Private And Personal Use Only 41

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Shri Mahavir Jain Aradhana Kendra 42 evaM siddhe bhAvacakre grahANAM cAlanakriyA / bhAvalagne bhAvaphalaM jJeyaM gaNitakovidaH / / 53 / / www.kobatirth.org BHAVASAPTATIKA pUrvasandhi samullaMghya svaM bhAvaM yAti yo grahaH / ArohasaMjJako bhAva[ : ] phalaM yacchati naijakam // 54 // yadA grahaH svabhAvAMzatulyaH pUrNaphalapradaH / svakIyamAvajaM pUrNaM phalaM yacchati tatva ( ttva ) taH / / 55 // pUrvasaMdhenyUnataro grahAvIzo bhavedyadi / gatabhAvagato jJeyaH graho datte hi tatphalam / / 56 / / AgAmi saMdheradhiko grahastvAgAmi bhAvagaH / AgAmibhAvagaM datte phalamevaMvidhaM smRtam / / 57 / / yadA grahaH saMdhisamAnamAno nirantaraM syAdaphalo grahendraH / kasyApi bhAvasya phalaM na datte nAgAmino naiva gatasya nUnam // 58 // ArohasaMzakasravAdI ghA (cA) te'sAvavarohakaH / svadazAyAM phalaM datte cayApacayasaMjJakam / / 59 / / 53. d: LD2 : gaNikovide 54. grahaH pUrNaphalo nityamaphalo na kadAcana / phalaM vAcyaM bhAvavazAt grahasyaivaM prarUpitam // 60 // d: LD1 : naijikaM 55. ab : LD1 : svabhAvAMzatulya d: LD2 : yacchaMti a: BORI : pUrva sandhi LDI, LD2 : pUrvasandhi b: BORI: svabhAve 59. b: LD2 : ghatisAvarohakaH 60. ab : LD2 : nitya maphalo c: LDI: bhAvavazA Acharya Shri Kailassagarsuri Gyanmandir 56. b: BORI : bhaveyyadi d: LD1: ha 57. : LD1 : saMdhiradhiko bcd : LD2 reads grahendrakasyApi bhAvasya phalaM na tte nAgAminI naiva gatasya nUnam // 57 which corresponds to v.58 bcd. An obvious mistake of the scribe. 58. abcd : LD2 omits yadA graha... syAdaphalo Also read foot-note no. 57bcd. For Private And Personal Use Only

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BHAVASAPTATIKA .43 yenApi bhAvena khagasya yasya svalpAntaraM tasya phalaM dadAti / bhAvadvayenApi samo(mA)ntareNa kasyApi bhAvasya phalaM na datte / / 61 // yasya yasyApi bhAvasya virAmasamayastadA / phalasyApi tadA nAzo grahasya parikIrtitaH / / 62 / / atha ArohAvarohAtha vizvApratikaraNam / bhAvena tulyAMzaka eva kheTo datte phalaM viNshviNshopkaastu| mAvena hInAMzaka eva kheTa stvarohasaMjJaM ca phalaM dadAti / / 63 / / bhAvAdgrahedro(ndro)pyadhiko yadAnI phalaM pradatte tvavarohasaMjJam / bhAvena hInAMzaka eva kheTe . kheTAdyasaMdhyozca yadantaraM syAt / / 64 // bhAvAdhike vApi khagegyasaMdhi (I)hendrayorvApi yadantaraM tu / grahezasaMdhyantarameva bhAjyaM ___ yadbhAjakaM syAtkila bhAvasaMdhyoH / / 65 / / athAntare paSTisaNite cet vAradvayaM te viklaatmke'stH| bhAjyAdavAptaM khalu bhAjakena phalaM tribhaktaM ca vi(vi)zopakAkhyam / / 66 / / 61. b: BOR1 : svalpAntaraM 62. b: LD2 : virAmasamaye d: LDI : parikIrtitaM P: LD1 : arohAvarohAtha 63. : BORI, LDI : viMzavizopakAH 64. d: LDI: kheTAdyasaMdhyAzca C: LD2 : kheTa 65. d: BORI omits syAtkila; LD2 : yadbhAjakaM bhAkcaiva tu saMdhyo. 66. C: BORI, LD2 : ce for cet LDI : ca for cet c: LDI : bhAjyAdi vAptaM 8 : BORI : vizopakAnyam LDI : vizopakAravyam For Private And Personal Use Only

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AA BHAVASAPTATIKA yathA yathA bhAvamabhiprayAti saMghi samullaMghya khgaadhiraajH| tatraiva bhAve hi phalapravRtti tadA grahANAM vibudhA vadanti / / 67 // ullaMghya bhAvaM nijakaM svasaMdhi yathA(dA) graho yAti phalasya tasya / hrAso bhavetsaMghisamAnabhAge grahe phalaM naiva vadanti vijJAH / / 68 / / bhAvasaptatikA caiSA yazasvatsAgaroditA / tAM vilokya sadA kArya bhAvacakramidaM sphuTam / / 69 / / bhAvacake bhAvalagnaM tatrApi grahasaMbhavam / phalaM vizeSato jJeyaM tatrasthaireva khecaraiH / / 70 / / iti bhAvacakram / saMvatsare vikramato bhaveda munIMdusaMkhye bahuleSapakSe / vRSe vidhau paMcamikAMsitAhni vicArasatsAgaravAcanArtham / / 71 / / iti zrIbhAvasaptatikA smaaptaa| 68. : LDI, LD2 : svasaMdhi c: LDI adds bhAvavirAmakAle after bhavet d: LDI reads nai for naiva LD2 : vijJA 69. d: BORI, LD2 : bhAvacakramidaM 70. d: LD1 : khecaraM 71. b: LDI adds 1740 after munIMdu Q. BORI : iti zrIbhAvacakrasAdhanArtha dvAsaptatikA ||shrii|| saMvat 1751 varSe mAha sudi 6 dine lISataM mathena cutarArUpanagaramadhye / vAcyamAna cIraM jItryAt / / zrI ga. piravijayajI LDI : iti zrI bhAvasaptatikA samAptA saM. 1762 mA. su. 7 LD 2 : iti zrIbhAva cakrasAdhanArtha dvAdazaptikA paM. jasavaMtasAgaregavihitAmidam . .. Also read Introduction. For Private And Personal Use Only

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